More amusement has been prompted by The History of Love author Nicole Krauss’s arguably over-the-top blurb for David Grossman’s To the End of the Land: “To read it is to have yourself taken apart, undone, touched at the place of your own essence; it is to be turned back, as if after a long absence, into a human being.” Following Guardian’s subsequent contest for who can write the most absurdly laudatory blurb for a Dan Brown novel, Laura Miller at Salon dissects why author endorsements are so unreliable.
Always pushing the envelope in terms of how we think about books, Reif Larsen has just announced an iPad app for his novel The Selected Works of T. S. Spivet. As the demo video suggests, this something with much more depth and interaction than just a simple port from print to digital.
“Grief doesn’t only disturb life; it disturbs the way we talk about life. As myriad aspects of our existence are questioned and reexamined in the wake of a death, so too is our relationship with the language we rely on for our grief’s expression.” This track-by-track take on Sufjan Stevens’s Carrie & Lowell from The Rumpus is really just a magnificent, emotive piece on elegy.
A very thoughtful essay by Millions contributor Patrick at his home base, the Vromans bookstore blog. The nut of the piece is the idea that publishers can and should create stronger brand identities. Patrick points out some publishers that are already doing this, and there's some great stuff in the comments as well. The piece is a reaction to an equally interesting essay from if:book.