More amusement has been prompted by The History of Love author Nicole Krauss’s arguably over-the-top blurb for David Grossman’s To the End of the Land: “To read it is to have yourself taken apart, undone, touched at the place of your own essence; it is to be turned back, as if after a long absence, into a human being.” Following Guardian’s subsequent contest for who can write the most absurdly laudatory blurb for a Dan Brown novel, Laura Miller at Salon dissects why author endorsements are so unreliable.
Urmila Seshagiri writes for Public Books about Jhumpa Lahiri's In Other Words in its original Italian. As she explains it, “the dual-language Italian-English format literalizes the very ‘separazione totale’ that is In altre parole’s subject, reminding us, page by page, of potential losses.” Pair with Hannah Gersen’s Millions review of the book.
Tom Wolfe has a chance to defend (er, ward off?) his 2004 "Bad Sex Award" following Literary Review's decision to nominate him for this year's top honors (er, dishonors?). The UK publication has tapped Back to Blood and seven others for this year's shortlist -- and, despite popular demand, they managed to spare J.K. Rowling's The Casual Vacancy. For some revealing passages from Wolfe's book, check out my review.
If you're looking for some midweek longreads, here are two excellent profile pieces: Emily Nussbaum's unabashed enthusiasm for Lena Dunham as HBO's Girls gears up for release, and Adam Sternbergh on Mark Leyner, whose The Sugar Frosted Nutsack is out today.