More amusement has been prompted by The History of Love author Nicole Krauss’s arguably over-the-top blurb for David Grossman’s To the End of the Land: “To read it is to have yourself taken apart, undone, touched at the place of your own essence; it is to be turned back, as if after a long absence, into a human being.” Following Guardian’s subsequent contest for who can write the most absurdly laudatory blurb for a Dan Brown novel, Laura Miller at Salon dissects why author endorsements are so unreliable.
When Literary Praise Goes Too Far
LOLerature
"Iz in ur Goolag/Havin a sad." LOLerature is the LOLCats for the literary set. Some of the references are pretty obscure, too. The internet is now complete.
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Digital Love
Jonathan Franzen's 2011 Kenyon commencement speech, published this weekend in the New York Times, covers love, consumerism, and narcissism in the digital age. If you're concerned with critical reception, looks like you're not a creator of "serious art and literature," in Franzen's eyes.
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Margaret Atwood and Philipp Meyer Headed to the TV Screen
Here’s a double-shot of television news: Darren Aronofsky is said to be developing Margaret Atwood’s MaddAdam for HBO, and AMC has ordered an adaptation of Philipp Meyer’s The Son (which has been holding steady on our Top Ten).
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There’s Blog in my Magazine. No, There’s Magazine in my Blog.
Which are you currently reading: a magazine that looks like a blog, or a blog that looks like a magazine? It's getting harder and harder to tell, says Slate's Farhad Manjoo.
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5 steps to authordom!
So you wanna be an author? Here are 5 painful and incredibly difficult steps to becoming an author, from Craked's Robert Brockway.
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New Nicole Krauss Story
The History of Love author Nicole Krauss has a new story out for sale in ebookstores: "An Arrangement of Light".
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On The Road With DFW, Part II
At Condalmo, Matthew Tiffany's review of David Lipsky's new book, Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace: "You can’t go more than two or three pages without Lipsky’s shadow falling over the text. And you aren’t reading this book for the Lipsky, are you? The biggest problem here is that, like it or not, his fingerprints are all over it. And I didn’t like it."
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“This book will touch you where your bathing suit covers.”
“To read it is to have yourself taken apart, undone, touched at the place of your own essence; it is to be turned back, as if after a long absence, into a human being.”
Blech.