The big debut this week is Imperial Bedrooms by Bret Easton Ellis. Also of interest is a new collection of essays by Sloane Crosley, How Did You Get This Number. The much delayed U.S. edition of a controversial 2009 Booker longlister, Ed O’Loughlin’s Not Untrue and Not Unkind, is now out. As is this intriguing curiosity: Peacock and the Buffalo: The Poetry of Nietzsche, which purports to be the “first complete English translation of Nietzsche’s poetry.”
Tuesday New Release Day
Words on the street.
Ian Crouch on the place of real estate in the novel, and its tenedency to “reinforce our modern sense that the appearance of our houses, and the taste and class that they represent, are among the defining elements of modern selfhood.”
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Borges’ Self-Portrait
Maud Newton posts a self-portrait by Jorge Luis Borges: “When he drew this, because Burt Britton asked him to, Borges was blind.”
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“Poetry is like a pinch, a twist of the skin”
Our own Nick Ripatrazone has been on a roll lately. Apart from the many articles he’s written for The Millions, he’s got a forthcoming collection of short fiction that includes works he published in Esquire and The Kenyon Review. He also published a new poem, “South Africa, 1988,” at The Nervous Breakdown, which you can read in conjunction with his self-interview.
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A Look Back at the Old Future of Books
At Print Magazine, Buzz Poole looks at The Electric Information Age Book, which chronicles the innovative heyday of book packaging, when the publishers “were the ones breaking down the walls and changing the rules as they went.”
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Beat Ball
“Playing ‘Baseball’ With Jack Kerouac” (via) (Thanks, Derek)
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Also available today is Ben Greenman’s new story collection “What He’s Poised to Do” –
Yes, the Greenman book is great. Also paperbacks of Colson Whitehead and Dave Eggers.