The big debut this week is Imperial Bedrooms by Bret Easton Ellis. Also of interest is a new collection of essays by Sloane Crosley, How Did You Get This Number. The much delayed U.S. edition of a controversial 2009 Booker longlister, Ed O’Loughlin’s Not Untrue and Not Unkind, is now out. As is this intriguing curiosity: Peacock and the Buffalo: The Poetry of Nietzsche, which purports to be the “first complete English translation of Nietzsche’s poetry.”
Recommended Reading: this essay by Sophia Knight on why she decided to quit her high-stakes job as a corporate editor in favor of a more modest writer’s income. If it's publishing stories you're after, here's an old Millions favorite on whether or not to self-publish.
Curious to know what the new Most Irritating Word is? Not many people agree on the number one offender, but for a while a top choice was “literally,” which evolved so much over the past few decades that the Oxford English Dictionary revised its official definition. At Slate, Katy Waldman proposed that we give the title to “amazeballs.” Now, in The New Republic, Judith Shulevitz makes the case for “disruptive,” the scourge of the tech world.
“Love / is the only fortress / strong enough to trust to.” Mary-Kay Wilmers for the London Review of Books reviews Holding On Upside Down: The Life and Work of Marianne Moore. In the book, Moore’s slightly-bizarre domestic life is examined with fairness and honesty alongside her impressive body of work. If poetry is your thing, check out our On Poetry column for more.
Another hip-hip for long-form journalism. George Packer's piece in the New Yorker on Richard Holbrooke and the Af-Pak War reminds one that some things -- complicated geopolitical matters, for example -- must be explored at length. Subscribers can read the full article in the digital edition here. Short of that, read Packer's assessment of the McChrystal Report on his blog.