The big debut this week is Imperial Bedrooms by Bret Easton Ellis. Also of interest is a new collection of essays by Sloane Crosley, How Did You Get This Number. The much delayed U.S. edition of a controversial 2009 Booker longlister, Ed O’Loughlin’s Not Untrue and Not Unkind, is now out. As is this intriguing curiosity: Peacock and the Buffalo: The Poetry of Nietzsche, which purports to be the “first complete English translation of Nietzsche’s poetry.”
A couple dozen leading literary magazine editors recently found themselves debating “submission fees” in a long, heated, and candid listserv discussion. The complete transcript – names have been changed to protect the innocent – is alternately depressing and heartening. It’s a must-read for anyone who publishes in little magazines, or plans to, or is just curious about how editors see themselves. (Update (11/12): Apparently, the literary magazine that published this content on its website had not been authorized to do so by the Council of Literary Magazines and Small Presses, which administers the listserv. The content has since been taken down; we’ve de-activated the link to reflect that.)
We have finally reached peak Trump. In Hart Seely’s new book Bard of the Deal, three decades of Donald Trump speeches and interviews have been reworked into what the publisher is calling a “treasury of spoken poetry.” One can only hope there’s a poem titled, “Bored With Winning.”
Open City, which is published by the Asian American Writers’ Workshop, is awarding $5,000 grants to “talented Asian American emerging writers looking to hone their creative nonfiction skills by engaging directly with contemporary New York.” The application deadline is April 8.
The deadline for DIAGRAM‘s essay contest is October 31, but mostly I just wanted an excuse to link to previous winner Cheyenne Nimes‘ “SECTION 404 OF THE CLEAN WATER ACT AND THE SANTA CRUZ RIVER SAND SHARK, SUBTITLED ‘THIS TROUBLESOME REGULATORY CONSTRAINT’.“