The International IMPAC Dublin Literary Award has announced its winner: Gerbrand Bakker’s The Twin. The book was previously on the Best Translated Book Award shortlist. See Also: The IMPAC longlist and shortlist.
The Twin Wins the IMPAC
Cocktail Hour
“0.5 hrs: Read this week’s New Yorker fiction. 0.7 hrs: Hated on New Yorker writer with her derivative characters & mise-en-scenes. 0.1 hrs: Looked up ‘mise-en-scene’ on Wikipedia. 1.3 hrs: Phone call with writer friend; discussed how much New Yorker fiction sucks. 0.5 hrs: Drafted & emailed query letter to New Yorker (for super postmodern story).” The good people at McSweeney’s imagine an impossibly tedious world where writers and poets bill by the hour.
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Infinite Summer: Reading D.F.W. in Concert
The Infinite Summer online book club, brain child of Matthew Baldwin, has finally completed Infinite Jest. To celebrate, they are reading Dracula. Steven Lowman briefly interviews Baldwin at the Washington Post blog Short Stack.
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One After the Other
It’s been seventeen years since Judy Blume published a book for adult readers. Her latest, In the Unlikely Event, brings that streak to an end. In the Times, Caroline Leavitt reviews her new book, which depicts a small town in the fifties reeling in the wake of three consecutive plane crashes. FYI, our own Lydia Kiesling wrote an essay on Blume’s book Forever.
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Walking the Cigar
We all have our obsessions. A friend of mine moved to New York City about a year ago and has made it his mission to catch a glimpse of Gay Talese taking his cigar for a walk. He’s been unsuccessful thus far.
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Girl Prodigies
Millions contributor Michelle Dean wrote for The New Yorker‘s Page Turner about Opal Whiteley, whose childhood diary–written when she was six on scraps of paper–was published over 100 years ago to meet with acclaim, then controversy, and then obscurity. If girl prodigies interest you as much as they do me, you’ll also love this 2010 piece from Lapham’s Quarterly, on Barbara Newhall Follett.
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Doodling Lit
We all doodle, but Meg Wolitzer gets inspired by it. When she was writing The Interestings, she frequently drew her way into her characters. “I sometimes drew crude, Harvey- and Archie-inspired images of my characters, in keeping with the spirit of Ethan Figman and Figland,” she wrote in The New Yorker.
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