In a reprise of this year’s Rooster final, Barbara Kingsolver’s Lacuna comes out on top this time, besting Hilary Mantel’s Wolf Hall (and four other finalists) for the Orange Prize.
Kingsolver Wins the Orange
We Need More Prizes. We Need Better Prizes.
Following the launch of a new £10,000 “innovative” literary prize by Goldsmiths College and the New Statesman, Chad Post takes a look at the current state of American literary awards. His opinion? “America is The Worst for trying to equate popularity with quality.”
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They’re Burning Books
in the film version of Fahrenheit 451. In the New York Times this week the director Ramin Bahrani talks about his love of books, how he decided which books to turn in the film and why he wanted to bring this novel to the small screen in the first place. It will air on HBO next Saturday (May 19th).
Welles and Wells
Orson Welles and H.G. Wells talk to one another, and now you can listen thanks to the magic of YouTube. (via)
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Some Notes on Sexism and Reviews
Breaking Up with God author Sarah Sentilles responds to some of her memoir’s critics. “Reviewers’ words about my book,” she writes, “demonstrate how sexism shapes responses to women’s writing, in particular women’s writing about God.”
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There’s Blog in my Magazine. No, There’s Magazine in my Blog.
Which are you currently reading: a magazine that looks like a blog, or a blog that looks like a magazine? It’s getting harder and harder to tell, says Slate‘s Farhad Manjoo.
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Archipelago Interview
Bibi Dietz interviews Jill Schoolman, founder of Archipelago Books, about “the archipelagic quality of book translation, the spiritual quality of discovering a great text, and the best bookshops from here to Buenos Aires.” So, basically everything we would ask Jill Schoolman about if we got the chance. The full interview up at BOMB Magazine.
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“In 1941, sadness is at its peak”
Here’s a novel idea: using literature to map out the emotions of a time period. (1940s? Sad. 1920s? Happy. 2010s? …Don’t ask.)
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