Last week, I mentioned Look Who’s Back by Timur Vermes, which caused a stir in Germany with its tale of a time-hopping Hitler. Now, Daniel Torday reviews the book for the Times, judging it both for its historical research and its merits as a work of fiction. Sample quote: “The German public’s acceptance of the artist they think they’re watching provides a critique of pop culture. But it feels like bringing the Luftwaffe to a knife fight.”
“But migraines! Everyone relishes a migraine. They have a literal aura! Migraines foster the sort of pure narcissism that only intense, essentially benign pain can. We sufferers (that’s how it’s described, “migraine sufferer”) feel it is meet and right that the migraine should be dramatized in films like Pi or White Heat; this strengthens the perception that migraines are the hallmark of geniuses, or at least psychopaths. Joan Didion writes about them; of course she does.” Sadie Stein on the allure of the headache to end all headaches.
"What do these two books have in common?...Open each cover and you will only find similarities: They are the same book." For The Globe and Mail, our own Claire Cameron writes about one book being marketed with two different covers and titles to appeal to different audiences. Pair with: an essay about book covers featuring headless, backless women, and another on the beauty of typewritten book covers.
The Oxford American has made True Grit author Charles Portis’s “Motel Life, Lower Reaches” available online for the first time. The piece first appeared in an OA issue from 2003, and it’s also available in Escape Velocity, but you should still read it because it’s Charles Portis, damn it, and you’ve only one life to live in this world. (Related: Hobart just published their “Hotel Culture” issue, which is also worth your time.)