“He was surely the greatest literary editor there has ever been – brilliant, autocratic, endlessly curious and possessed of an extraordinary fund of knowledge about a vast range of subjects. True, he was not always easy to deal with, but when has the best ever been easy?” John Banville on the late Robert Silvers.
Guillermo del Toro’s next film will bring us to Tralfamadore. He is adapting Kurt Vonnegut’s Slaughterhouse-Five with Charlie Kaufman writing the script. “I love the idea of the Tralfamadorians to be ‘unstuck in time,’ where everything is happening at the same time. And that’s what I want to do,” del Toro told The Daily Telegraph.
If you know what the phrase “hypertext story” means, you’re likely at least passingly familiar with new media literature, which first appeared all the way back in the days of floppy disks. At Ploughshares, a brief introduction to the genre, with a nod to hypertext ur-teacher and novelist Robert Coover. You could also read Guy Patrick Cunningham on writing in the digital age.
The annual Edinburgh World Writers’ Conference wrapped up earlier this week, but, thanks to the wonders of the internet, you can relive the magic: Transcripts and videos of notable speeches are available on the conference’s website, including the concluding talk on the future of the novel by China Mieville.
“These conversations push Leonard outside his sister’s house and put him on a course complete with time travel, an unreadable ancient text, Jewish Mysticism, and an attractive reference librarian. And here’s where the trouble starts.” On Rachel Cantor’s A Highly Unlikely Scenario.
“Many of the most powerful characters in our best-loved stories are orphaned, adopted, fostered, or found. At the same time, many of the most powerless citizens in our society are orphaned, adopted, or fostered children, and the marginalized adults that so many become. Why have so few of us even noticed this centuries-old disparity?” On literature’s most celebrated protagonists, from Oliver Twist to Anne of Green Gables.
“In spite of herself, the writer has remained loyal. She is loyal to place and the past, faithfully and perpetually reconstructing it, so that no one, having read her, would ever again say, ‘What’s so interesting about small-town rural Canada?’” On a new book of selected stories by Alice Munro.