Amazon is now aggregating the data from the “highlighting” feature on the Kindle to find out what text is highlighted the most across all Kindle users. Amazon is calling the feature “Most Highlighted Passages of All Time” and the results couldn’t be more boring. (via)
Kindle Highlights and Lowlights
The Marshmallow Mystery
Would you eat the marshmallow or would you resist temptation? That is the question. Our own Michael Bourne gets to the meat of why the mallow experiment fascinates us at The New York Times Magazine. “The tale of the marshmallows, as presented in Goleman’s book, read like some science-age Calvinist parable. Was I one of the elect, I wondered, a child blessed with the moral fortitude to resist temptation? Or was I doomed from age 4 to a life of impulse-driven gluttony?”
In Poor Taste
“Some of the most impassioned conversation in the literary world has been devoted to highlighting what it lacks: voices of people of color, of gays and lesbians, of those marginalized or oppressed or simply ignored. Look a little closer, however, and you’ll notice this conversation focuses on race and gender while paying less attention to a demographic category that’s arguably just as determinative: class.” Adam Fleming Petty on the marginalization of working class lit.
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The Poetry of Tim Riggins
“I used to go out in the brush sometimes,/So far out there no one could hear me,/And just burn.” In the new issue of Gulf Coast, Nico Alvarado writes poems from the perspective of Friday Night Lights’s Tim Riggins including “Tim Riggins Speaks of Waterfalls” and “Tim Riggins Invents a New Number.”
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Calling All Grammar Nazis
To quote Raymond Chandler: “When I split an infinitive, God damn it, I split it so it will remain split.” Or, dispelling grammar myths, like not ending sentences with prepositions.
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Digital Love
Jonathan Franzen’s 2011 Kenyon commencement speech, published this weekend in the New York Times, covers love, consumerism, and narcissism in the digital age. If you’re concerned with critical reception, looks like you’re not a creator of “serious art and literature,” in Franzen’s eyes.
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Jay Gatsby, Iconic American
BBC‘s Tom Geoghegan asks whether or not The Great Gatsby is “the perfect tale for modern America.”
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The Extreme Edge of Experience
Year in Reading alumna Sarah Manguso writes about motherhood, writing, and the disintegration of the self in a moving essay for Harper’s. As she puts it, “I want to read books that were written in desperation, by people who are disturbed and overtaxed, who balance on the extreme edge of experience. I want to read books by people who are acutely aware that death is coming and that abiding love is our last resort.” Pair with Jaime Green’s Millions review of Manguso’s Ongoingness: The End of a Diary.
In the Future, All Art Historians Will Work 20 Hours a Week
A couple of contrarian views on the current job market and its woes: “How Art History Majors Power the U.S. Economy” (at Bloomberg, no less) and “Cut the working week to a maximum of 20 hours, urge top economists” (sign me up).
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This feature is ON by default and I just found out today by accident. I was in the middle of a page, and there it was suddenly staring at me: a highlighted paragraph. I thought my device had gone nuts!
If I wanted a highlighted, commented book I would buy a used book in poor condition. Now, why would I want to recreate that experience on my Kindle?
Not only are these highlights an obnoxious distraction, but they can also serve as spoilers. Amazon should give you the option of enabling highlights when you start reading, instead of assuming everyone loves marked and commented books. I hate it when people highlight library books and now I have to put up with it on my e-books?
It took me several minutes to find out how to turn it off, but in the brief time it was active, this feature interfered with my reading: I had to stop, go online, read half a dozen articles about this topic where the only concern was people worried about their privacy, and by then my reading time was up.