USA Today suggests that Hollywood’s love affair with Jane Austen is ebbing and, with film versions of Jane Eyre and Wuthering Heights on the way, the bigwigs have moved on to the Brontes.
Hollywood and the Brontes
Kafka Who?
When you think “Franz Kafka,” it typically isn’t his sunny disposition that comes to mind. According to Reiner Stach, this new collection of ephemera, however, seeks to challenge the tired, old conception of Kafka-as-tortured neurotic. Here’s a Millions review of Stach’s twin biographies of Kafka, himself.
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Take It to the Bank
It’s notoriously difficult to figure out how to make a living as a freelance writer. The process forces the writer to learn the finer points of negotiation. At the Ploughshares blog, Steph Auteri writes about the “abstract mathematics” of her freelance career, presenting a list of everything she considers before taking on an assignment. Pair with: our own Nick Ripatrazone on teaching the business of creative writing.
Compressed Madness
In a conversation from Upstairs at the Strand, Year in Reading alumnus Junot Díaz and Hilton Als discuss masculinity, science fiction, realism and truth, and representations of Latino culture. Pair with Paul Morton’s Millions interview with Díaz.
Tuesday New Release Day; Harrison; Jackson; Gioia; Barrett; Reeves; Ng
Out this week: The Ancient Minstrel by Jim Harrison; Prodigals by Greg Jackson; 99 Poems: New and Selected by Dana Gioia; Blackass by A. Igoni Barrett; Work Like Any Other by Virginia Reeves; and Slow Boat to China by Kim Chew Ng. For more on these and other new titles, go read our Great 2016 Book Preview.
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In the Pope’s Own Words
Over at Asymptote, Oonagh Stransky talks about the transformative experience of translating Pope Francis. As she puts it, “I not only discovered a gentle, deeply human side to this Pope, I felt something change or soften inside me.”
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OWS lit down the line?
Christian Lorentzen wonders, in Book Forum, what the first OWS novels will be like. He anticipates them showing up next year, but I’m thinking we’ve already got at least two, though they were both published well before Occupy: Gary Shteyngart’s Super Sad True Love Story ought to fit the bill, and, of course, there’s that famous Melville story about Wall Street, but I’d prefer not to talk about it when I could just direct you to Hannah Gersen’s piece instead.
When will George Eliot get her big Hollywood break?