If you haven’t been following The Morning News Tournament of Books, now is the time to catch up. There’s been ample drama and the always insightful commentary from the booth. The finalists are set – Wolf Hall and The Lacuna – and the champion will be revealed on Monday.
If you didn’t like Elif Batuman‘s gut-punch to MFA writing (“Get A Real Degree”) in this issue of the London Review of Books, might I suggest Jenny Diski’s cudgeling of self-help lit in the LRB’s Diary essay?
Conversational Reading covers “Four Greek Writers That You Should (and Can) Read.”Wells Tower interviewed on The Dinner Party Download.Anne Trubek at Good Magazine recommends our site to “Post-Collegiate Literary Types”The Elegant Variation gets a new reader. Congratulations, Mark!Make of this what you will: “Popular Japanese horror writer Koji Suzuki will publish a short novel called Drop on rolls of toilet paper.”Wikipedia Find of the Week I: Criticism of Wikipedia (so meta)Wikipedia Find of the Week II: No one cares about your garage band (so snarky)”Updike’s Sunset:” Kakutani takes on two newly published Updike collections, My Father’s Tears and Other Stories and Endpoint and Other Poems.Further Reading: Consider revisiting our guest post from last week, Finding Indie Opportunity on The Kindle, where a very interesting discussion developed in the comments.
In an interview for Guernica Jonathan Lee talks to Chris Parris-Lamb, the literary agent who represented Chad Harbach‘s The Art of Fielding, John Darnielle‘s National Book Award-nominated Wolf in White Van, and now our very own Garth Risk Hallberg‘s upcoming City on Fire, about “The Art of Agenting.” Pair with our own Edan Lepucki‘s conversation with her agent, “Don’t Ever Do It for the Money,” and with the opening lines of City on Fire, a Millions exclusive.
A Russian publisher has stooped to a new low: it added “fake quotes from fake newspapers on the cover of a … novel released this summer.” That’s not all, either. Apparently the publishers are trying to bill the book as a “Swedish” crime novel even though it was actually written by a Russian under a pseudonym.
In a 6,000 word essay for The Point, founding editor Jon Baskin wades into the personal and professional psychodrama of the Franzen–Wallace friendship. Beneath the public surface, finds deep questions about the “novel of the self,” the “novel of society,” and the life worth living.