"Fantasy is a tool of the storyteller. It is a way of talking about things that are not, and cannot be, literally true. It is a way of making our metaphors concrete, and it shades into myth in one direction, allegory in another." Neil Gaiman reviews Kazuo Ishiguro's The Buried Giant for the New York Times Book Review and considers the power, and risks, of fantasy. Pair with Ishiguro's talk with The Telegraph about the 10 years since the publication of Never Let Me Go.
Janet Frame’s posthumous novel In the Memorial Room is out this week, as is a new e-book edition of Jack London’s The Sea Wolf. Also out: Ask Me: 100 Essential Poems by the onetime Poet Laureate William Stafford; a new biography of Alfred, Lord Tennyson; and the latest edition of The Best American Magazine Writing.
“Aspiring journalists tend to worship at the altar of Joan Didion,” writes Heather Havrilesky (who some of you may know as Polly) in the latest issue of Bookforum. The fact that so many writers look up to Didion as an example necessitates that the lit world find at least one offbeat alternative. In Havrilesky's eyes, that alternative is obvious: the late Nora Ephron was the anti-Didion, she argues.
"Wasn’t Pogofest the type of idea barely solvent towns pay marketing consultants millions of dollars to avoid? Who was Pogofest supposed to appeal to, besides—thirty years after the fact—me? I pose the question to Janice Parks, a former city commissioner. 'Well, look what a rat did for the wasteland of Central California,' she says." A bizarre, slightly surreal look at Waycross, Georgia -- the self-proclaimed hometown of Pogo Possum.
Following the launch of a new £10,000 “innovative” literary prize by Goldsmiths College and the New Statesman, Chad Post takes a look at the current state of American literary awards. His opinion? “America is The Worst for trying to equate popularity with quality.”