“Dear Marlon, I’m praying that you’ll buy ON THE ROAD and make a movie of it….You play Dean and I’ll play Sal… I’ll show you how Dean acts in real life, you couldnt possibly imagine it without seeing a good imitation…” From a letter from Jack Kerouac to Marlon Brando. (via The Rumpus)
“How can we trust ourselves? Trust that our skills will return? Trust that this blank document—this one, right now—won’t be our undoing? The previous essay I wrote won’t save me when the blank document stares, and the deadline looms, and the editor lurks, and the readers wait.” Mensah Demary on writing and forgetting.
The Millions is delighted to welcome new staff writer Il’ja Rákoš, whose deep dive into the work of László Krasznahorkai publishes today. He is the author of an essay collection in Ukrainian, Os’ Khristianska Vira, and has previous published an interview with and appreciation of Nobel laureate Svetlana Alexievich at the site. He lives in Kyiv.
How does a writer keep their work fresh? What’s the goal of a successful artist? What is it like to adapt someone else’s writing for the screen? The Atlantic interviews Nick Hornby about his latest book, Funny Girl, and these are some of the questions that come up. Pair with this Millions review of Hornby’s A Long Way Down.
Writing about a foreign country is always a dodgy proposition, but it seems to be especially thorny when English people and Americans take on their transatlantic brethren. Looking over two contributions to the genre by English writers — Terry Eagleton’s Across the Pond and A.A. Gill’s To America With Love — Carlin Romano concludes that neither manages to “teach us something new about ourselves.”