Lisa Peet at Open Letters Monthly / Likefire blog on Millions contributor Sonya Chung‘s novel Long for This World: “When a novel, particularly a debut novel, is referred to as ‘ambitious,’ there’s usually an implicit ‘but’ present… Chung takes on the dynamics of family—what draws it together and what pulls it apart—through the eyes of a number of players, male and female, old and young, Korean and Korean-American. Both her subject matter and her approach are ambitious, to say the least. The only ‘but’ in my reaction, however, is but she pulls it off—and admirably.” Read the full review.
At Bloom this week, check out the feature on novelist Jon Clinch, and the accompanying Q&A, where Clinch talks in-depth about his decision to self-publish his fourth novel after having his first two published by Random House. He says that his second novel, Kings of the Earth, “was set up for success: Oprah’s magazine put it at the top of their summer reading list, and it went on to be named one of the best novels of the year by theWashington Post. But the Oprah nod came six or eight weeks before publication date, and Random House either couldn’t or didn’t capitalize on it. By the time the book hit the shelves, it was already forgotten. I simply couldn’t bear the possibility that The Thief of Auschwitz might slip into the abyss.”
“We connect with books in an intellectual way, but the most valuable relationships we have with them are emotional; to say that you merely admire or respect a book is, on some level, to insult it. Feelings are so fundamental to literary life that it can be hard to imagine a way of relating to literature that doesn’t involve loving it. Without all those emotions, what would reading be?” Joshua Rothman on “The History of ‘Loving’ to Read.”