Tonight at 8, the 92nd Street Y in New York hosts Millions favorite Péter Esterházy, author of the amazing Celestial Harmonies. András Schiff offers musical interludes. Look for an interview here in the next couple of weeks.
Esterházy in Manhattan
Tuesday New Release Day: Harbach, Hitchens, Tuck, Farah, Solomon, Barry, Krauss
A big haul of new books this week. At the top of the list is Chad Harbach’s much anticipated debut, The Art of Fielding. Also new this week: the new Christopher Hitchens collection Arguably, Lily Tuck’s I Married You for Happiness, Nuruddin Farah’s Crossbones, and Anna Solomon’s debut The Little Bride. Sebastian Barry’s Booker long-listed On Canaan’s Side is now available in the U.S. And Great House by Nicole Krauss is now out in paperback.
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E-Books and Paperbacks
As The New York Times reports, the rise of e-books has quickened the release of paperbacks. You used to have to wait a year for paperbacks to hit the shelves; now it’s often half that.
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Leemos En Español
“You are what you brought from your country? Or you are what you learned here?” The New York Times visits Librería Barco de Papel, one of New York City’s last remaining Spanish-language bookstores. The space also operates as a community and cultural center for the Jackson Heights neighborhood, where roughly half of the 67,000 residents identify as Latino. If you want to feel some more feelings about the state of independent bookstores, check out this old Millions piece about paving paradise and putting up a Chipotle.
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Intrinsic Flaws
Ever since Paul Thomas Anderson announced his intention to film Inherent Vice, there’s been a lot of hand-wringing over whether it’s even possible to adapt a Thomas Pynchon book for the screen. Now that it’s out, Geoffrey O’Brien investigates how faithful the movie is to the book, and whether or not that’s a good thing. Related: our own Garth Risk Hallberg’s review of the book when it came out.
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Guinea Pig, Actual Pig
Recommended Reading: Maria Russo’s Times review of the new Dr. Seuss book. (If you haven’t yet, go check out Michiko Kakutani’s companion review-in-verse.
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The Black Woman Writer
“Women writers and writers of color don’t really have the luxury of being known simply as writers. There’s always a qualification,” Roxane Gay writes for The Nation. She ponders what it means to be a “black woman writer” and concludes that we should view diversity as a search for “urgent, unheard stories.”