“Throughout the Crash, I wrote free-hand, not caring about the style or if something I wrote in the afternoon contradicted something I’d established in the story that morning. The priority was simply to get the ideas surfacing and growing. Awful sentences, hideous dialogue, scenes that went nowhere – I let them remain and ploughed on.” Newly minted Nobel laureate Kazuo Ishiguro on writing The Remains of the Day in four weeks.
In 1969, Random House’s Book of the Month Club offered members an edition of Lewis Carroll’s Alice in Wonderland illustrated by Salvador Dalí. (You can view the full collection here.) Forty-three years later, the publisher had a mail delivery experience that was almost equally surreal.
Máirtín Ó Cadhain is probably the most famous Irish writer you haven’t heard of, if only because he wrote all his masterworks in Irish rather than English. His best novel, Cre na Cille, has a simple and arresting premise: a town in Connemara has a graveyard in which the dead can speak. In The Guardian, Kevin Barry (who we interviewed) reads the novel for the first time.