We’ve been tracking excerpts from Michael Lewis‘ just-released The Big Short for a while now; the latest, fascinating installment is at Vanity Fair.
Betting on the Blind Side
“Fresh” Perspective
“Just because I’m a woman, don’t assume that I automatically empathize with a brooding 20-something Elizabeth-Bennett-type protagonist. (Trust me, I don’t.) This doesn’t mean I can’t design … a biography on Susan Sontag—or, for that matter, a spy novel, a political satire, or a memoir about a Japanese game show host set in outer space. I can do all of these things. Because it’s my job to design book covers.” Over at The Literary Hub, a cover designer wonders why she’s always offered a particular type of book.
●
●
Secret Machines
Recommended Reading: Cody Delistraty’s interview with Kazuo Ishiguro. You could also read our own Lydia Kiesling on the author’s new novel The Buried Giant.
Let’s Start a Gallery of Found Art
“Italian art historians claim they have found 100 previously unknown works by Caravaggio.”
●
●
Not To Be Confused With Sparkles
It’s no secret that I’m a big fan of the “Ted Wilson Reviews the World” series over at Electric Literature. This week, he takes on everyone’s (least?) favorite confection — sprinkles. Unsurprisingly, sprinkles score a bit higher than Anxiety did a couple weeks ago: “Sprinkles can take an ordinary cupcake and turn it into a cupcake that looks like a rainbow shattered and fell all over it, and then the leprechaun at the end of that rainbow hid inside the cupcake and the only way to get him is to eat it.”
The future of the crossword
Crosswords in print newspapers are declining alongside print newspapers, but there may yet be a promising future in mobile apps.
●
●
(Don’t) Judge a Book by Its Cover
Dan Piepenbring writes at The Paris Review on judging a book by its cover in the Weimar Republic and the sheer mastery of some of the early twentieth-century German cover designers. Two related pieces from The Millions: our own Bill Morris on the pleasures of the typewritten book cover and Matt Allard on reimagining some popular cover art.
●
●
Joie de Vivre
Recommended Reading: This letter from The Paris Review’s Paris editor Antonin Baudry touches on everything from the surprising post-attack popularity of A Moveable Feast to Michel Houellebecq’s troublesome op-ed in the New York Times.