Lots of anticipated books hitting shelves today. At the top of the list is Michael Lewis’s look at the recent financial calamity, The Big Short. Also new today, Chang Rae Lee’s The Surrendered, Ron Rash’s story collection Burning Bright, Lionel Shriver’s So Much for That, and James Hynes’ Next, about which we have noted some intriguing Twitter buzz. New in paperback are Victor LaValle’s The Big Machine and Dave Eggers’ The Wild Things.
Wikipedia states that its ultimate mission is to collect all the knowledge in the world. The biases of its users may earn the site a few jabs, but if a number of studies which compare the site’s articles to those of professional encyclopedias are reliable indicators, its content is accurate enough to satisfy the needs of most users. But now the whole project may be in trouble for a simple and very odd reason -- it's apparently done so well that most of its contributors have gone home.
To give context to a new William Vollmann essay about reading his own FBI profile (available to subscribers only, sadly), Harper’s Magazine published a few pages from Vollmann’s file online. Among other things, they reveal that the FBI considered Vollman “exceedingly intelligent and possessed with an enormous ego." (For a taste of the Harper's essay, you can read this WaPo article on Vollmann's connection to the Unabomber.)
Harper Lee’s estate will no longer allow publication of the mass-market paperback edition of To Kill a Mockingbird, which was popular with schools. Over at The New Republic, Alex Shephard writes that “Without a mass-market option, schools will likely be forced to pay higher prices for bulk orders of the trade paperback edition—and given the perilous state of many school budgets, that could very easily lead to it being assigned in fewer schools.” For more about the author’s legacy, read Robert Rea’s Millions essay on his travels to her home.
As of this morning, the 2014 IMPAC Dublin longlist is out, and the titles that made the final cut are an eclectic assortment. The Testament of Mary by Colm Tóibín (which we reviewed) made the cut, as did The Orphan Master's Son by Adam Johnson (which won the Pulitzer earlier this year) and Bring Up the Bodies by Hilary Mantel (which won the Booker Prize).