“No novel gets uniformly enthusiastic reviews, but the polarized responses to The Goldfinch lead to the long-debated questions: What makes a work literature, and who gets to decide?” Vanity Fair has big questions and lots of opinions about Donna Tartt‘s latest novel, which we’ve covered pretty extensively ourselves.
Working with composer Michel van der Aa, David Mitchell has written an “occult opera” entitled “Sunken Garden.” Meanwhile, the former head of buying at Waterstone’s has shared the Cloud Atlas author’s list of his favorite Japanese books. (h/t Sarah Emily Duff)
RSVP: We’ve already had several RSVPs for our NYC indie bookstore walking tour. Get all the details via our announcement post.People are still adding to our collaborative literary Atlas. Recent additions include several non-bookstore literary spots in the Midwest, including the Kate Chopin House and the final resting place of William S. Burroughs. The Atlas itself has been viewed over 100,000 times.Panelists at the SXSW “New Think for Old Media” panel face death by a thousand Tweets.Also via Freebird: Iggy Pop explores Michel Houellebecq’s raw power.Mark Grief and Year in Reading contributor Wells Tower give far-ranging interviews in a new online journal, Wag’s ReviewHanif Kureishi discusses life after the Rushdie fatwa.A bibliography of coffee.The editor of John Updike’s book reviews remembers the writer: “he was attentive to everything.”Cathleen Schine admires Zoe Heller’s The Believers.The Village Voice praises Mary Gaitskill’s “ludicrous mastery.”In two long posts, Blographia Literaria offers a thoughtful alternative to our take on The Kindly OnesBen Okri pioneers the Twitter poem.Two books named Brooklyn enter, one book named Brooklyn leaves. (via)Tucker Carlson sounds a dissenting note on Jon Stewart in the wake of the Jim Cramer takedown.Levi Asher and Scott Esposito discuss litblog economics.At The Second Pass, Jon Fasman calls readers’ attention to Russell Hoban’s Riddley Walker, echoing John Wray’s Year in Reading contention that “Sometimes, though, a work of originality and genius slips inexplicably through the cracks.”Wray’s Lowboy, meanwhile, got the James Wood treatment at the New Yorker this week.
“The eradication of Terry Pratchett’s unfinished works, the zeros and ones of his hard drive ground into the earth at the Great Dorset Steam Fair, is an imaginative exception to the rule.” The Paris Review questions how we publish an authors posthumous works and whether there’s a better way to do so. Pair with: our 2017 Select Literary Obituaries.
How’s your bracket doing? Upsets abound not only on the hardwood but also in The Morning News’s Tournament of Books. Celebrate your victory over lesser bracketologists (or, alternately, mourn your defeat against the onslaught of superior bracketologists) with this compendium of basketball poetry compiled by the folks at the Poetry Foundation.