The Howling Fantods live-blogged last week’s DFW conference at CUNY.
“So why should the stories about us always be about the bad stuff? We deserve the romantic comedy, the late night barfly scene, the silly, light-hearted stuff of life reflected back at us.” Camille Perri writes about the need for queer stories that are not rooted in sadness, trauma, or loss. Pair with: an essay on the commercial viability of LGTBQ literature.
“My friend Kathy was a Mustang Ranch girl in the eighties, had a line on how to bring cocaine into town, and was party girl central and making a lot of money. She was in the center of it in a way that my characters can see but they can’t ever get to. Reno is a beautiful, beat up, and weird town devoted to this false notion of luck. It’s a beautiful place.” Talking with Christian Kiefer.
How do you write an accurate memoir without perpetuating stereotypes? Jesmyn Ward struggled with this when writing about absent black fathers and husbands in her book Men We Reaped. “I also had to figure out how much of the truth do I tell, how do I make the truth as balanced as I possibly can? How do I make these people as complicated and as human and as unique and as multifaceted as I possibly can? For me, that was the way I attempted to counteract some of that criticism,” she told The Rumpus.