Along with the dreaded switch to Daylight Wastings Time, the first of the month brings new issues of Open Letters Monthly and N1BR. Between the two of them, you can find, among other things, reviews of Where the Wild Things Are, J.M. Coetzee‘s Age of Iron, Bob Seger, and the Complete Bloggings of Caleb Crain.
Hot off the Motherboard: New Issues of OLM, N1BR
Appearing Elsewhere
Millions contributor Sonya Chung will be reading from her forthcoming novel, Long for This World, at KGB Bar in the East Village NYC, on Friday, Oct. 16 at 7pm. With Sara Goudarzi and Daniel Meltzer.
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New Release Date for JJS Book
John Jeremiah Sullivan’s new book, The Prime Minister of Paradise, now has a UK release date: June 9, 2016. Read our own Bill Morris’s review of Pulphead.
When We Were Young
Over at the Catapult, Nicole Chung has launched a series on adoption, featuring essays by Megan Galbraith and James Han Mattson. You could also check out Matthew Salesses’s Millions essay on inciting incidents and new beginnings as an adoptee.
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….and the joke may just be on you.
Aaron Wiener for Slate on attending a 24-hour long play in Berlin based on David Foster Wallace’s Infinite Jest. And we thought three to four hours of DFW was a marathon.
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Basketball, Poetry, and the Union of the Two
Inua Ellams wrote a poem entitled “Portrait of Prometheus as a Basketball Player” in which he imagined “the fire stolen from the gods to be shaped as a basketball, and Prometheus dunking light into the world.” [Note: Ctrl + F for “Portrait of Prometheus” at this link to read the poem.] Over at Magma, Ellams discusses “the process of composing a poem, as a coach might stitch a [basketball] team together.” Perhaps all of this explains Patricia Lockwood’s interest in Shaquille O’Neal?
Anonymous Authors
Recommended Reading: Art Winslow asks, “did Thomas Pynchon publish a novel under the pseudonym Adrian Jones Pearson?”
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McSweeney’s 2.0
Version 2 of McSweeney’s quirky iPhone app includes an ebookstore with custom-designed ebooks. “Whereas most ebooks have weird line breaks, stretched type and clunky fonts, ours are actually designed so they look just as they do in print – clean and beautiful.”