Some world literature links: Sign and Sight offers the best introduction to Herta Müller I’ve been able to find…The Complete Review gets the ball rolling on Roberto Bolaño’s (very) early novel Monsieur Pain, forthcoming from New Directions…Ingo Schulze, author of the quietly astonishing New Lives and the forthcoming One More Story, talks to The Toronto Star (via)…The NBCC features Yu Hua‘s Brothers…Claudio Magris is crowned the king of Frankfurt…Maud Newton hails Juan Gabriel Vásquez‘s “inventive and intricately plotted” The Informers…The Brooklyn Rail and Transcript both offer handsome online digests of short stories from around the world.
This week Margaret Atwood tweeted a photo of her and Alice Munro drinking champagne in a "secret lair." There's no denying it — technology has changed the way we tell stories. Atwood and 16 other writers, from Victor LaValle to Lee Child, discussed how technology influences their work in The New York Times. "There’s nothing worse for plots than cellphones. Once your characters have one, there’s no reason for them to get lost or stranded," Rainbow Rowell said.
Willard Spiegelman’s provocative essay in the VQR’s recent State of American Poetry issue, “Has Poetry Changed?” incited quite a few responses. One of the better rejoinders came from William Childress, whose response, “Is Free Verse Killing Poetry,” raises some excellent points. “Poetry needs readers, not writers,” writes Childress. “But how many poets read any poetry but their own?”
Back in May, our own Sonya Chung reviewed All That Is, the first novel in 35 years by A Sport and a Pastime author James Salter. For another viewpoint (courtesy of the LRB), check out James Meek's assessment of the book alongside Salter's Collected Stories.