Let’s play a game: a “lazy Sunday” version of a Choose Your Own Adventure novel. Ready? Good. Imagine you’re hanging out with Junot Díaz today. What do you want to do? Select Option A to go barhopping. Select Option B to go comic book shopping. Select Option C to read an excerpt from his new book, This Is How You Lose Her. Or Select Option D to read Leah Hager Cohen's review of the collection. There is no wrong answer.
"The internet has altered our lives in ways television never did or could, but mainstream literary novelists – by which I mean writers who specialize in realistic, character-based narratives – have mostly shied away from writing about this, perhaps hoping that, like TV, it could be safely ignored." Laura Miller examines how contemporary novels are coming to terms with the internet.
"There is no divorcing the lack of diversity in the outdoors from a history of violence against the black body, systemic racism, and income inequality," writes Rahawa Haile in her description of hiking the full length of the Appalachian Trail. Along the way, Haile documented her journey and the books she carried — books written by black authors. In a debrief interview, she explains her motivation: "I want[ed] to bring these books places no one likely has. I want[ed] to document where black brilliance belongs."
Already on shelves ahead of its "official" release date is Mark Twain's long embargoed Autobiography. Also new this week are The Petting Zoo, a posthumously published novel by punk poet Jim Carroll; a new collection of Selected Stories from master of the form William Trevor; Cynthia Ozick's "retelling" of of Henry James’ The Ambassadors, Foreign Bodies; and, in time for election day today, Matt Taibbi's collection of biting political journalism, Griftopia.