Happy Halloween! At the New Yorker, the winners of the dress your pet as a literary character contest. Don’t miss the honorable mentions (I’m partial to the feline Moby Dick).
Five finalists have been named for this year’s PEN/Faulkner Award for Fiction: Daniel Alarcón’s At Night We Walk in Circles, Percival Everett’s Percival Everett by Virgil Russell, Karen Joy Fowler’s We Are All Completely Beside Ourselves, (Year in Reading alum) Joan Silber’s Fools, and Valerie Trueblood’s Search Party: Stories of Rescue. One winner will be selected on April 2, 2014, and a celebratory dinner will be held in its honor on May 10. You can read up on all of the finalists over here.
Read Karl Ove Knausgaard’s acceptance speech for the Welt Literaturpreis, an annual prize awarded by the German newspaper Die Welt, at The New Yorker. He writes, “The difference between engaging with a real neighbor and one in a novel is that the former occurs in the social sphere, within the boundaries of its rules and practical constraints, whereas the latter occurs outside of it, in the reader’s own most private, intimate sphere, where the rules that govern our social interaction do not apply and its practical constraints do not exist.” You could also check out Knausgaard’s book excerpt at The Millions.
Are you a writer in the Philadelphia area? Are you looking for “a comfortable, congenial environment where you can meet other writers, editors and publishers?” If you answered yes to both of these questions, then this September’s Barrelhouse Conversations & Connections conference will be right up your alley. This year’s keynote speaker will be Familiar author J. Robert Lennon.
New Yorkers! Come out tonight and celebrate Kingsley Amis alongside the Volume 1 Brooklyn crew, the New York Review of Books Classics publishers, and also such guests as Parul Sehgal, Rosie Schaap, and Maud Newton. There will be free gin! However if you can’t make it, you can treat yourself to the Kingsley Amis Desert Island Discs from the comfort of your own home. The discs, recorded around the time The Old Devils was published, reveal the author’s views on “novel mechanics,” the “Welsh temperament,” and his affinity for jazz.