Behold the polymathic mind of Terry Castle, professor, literary essayist, and collage artist. At Fevered Brain Productions, her art blog, see digitally alter photos and collages like “Warthog Proffering Rootbeer,” “She Polarizes People,” “Collage Dramas”, and “Kind Hearts and Coronets.” And from the LRB archives, check out her controversial quasi-eulogy for Susan Sontag, her reviews (for example, Always the Bridesmaid on Yopie Prins‘ Victorian Sappho), and her essays (Travels With My Mom). The Professor, Castle’s forthcoming book of essays, will be published by HarperCollins in January.
“I’ve always been interested in the internal shape-changes of the poem. In my student days, it was common to assume that the poem makes a statement — that it’s protesting war, or is grieving a death. My teachers, on the whole, didn’t see a poem as an evolving thing that might be saying something completely new at the end because it had changed its mind from whatever it had proposed at the beginning.” An interview with Harvard’s Helen Vendler about the structure of poetry, the benefits of studying science and mathematics, and the “miraculous” voices of Shakespeare and Keats.
Feeling a bit too happy lately? Want to be utterly bummed out? Then read through this assortment of depressing graphs, provided by Rebecca Makkai. They include graphs about MFAs, a bar graph about book clubs, and a pie chart expressing the probability that you are Alice Munro.
“Sometimes you come across sentences that are like cairns, evidence the trail continues, and you are so grateful to have found them.” For the Tin House blog Jacob Rubin considers one such sentence from Charles D’Ambrosio‘s Loitering, which our own Hannah Gersen reviewed for the Millions.
Should you go to grad school? Should you not go to grad school? Should you stop reading trend pieces on going to graduate school?
Have you ever wondered what a music note might look like? Now you have, so go and check out Resonantia by artists Jeff Louviere and Vanessa Brown, a work which tests the limits of “cymatics—the patterns that sound waves induce in physical objects.” One of Louviere’s projects involved photographing the “shapes” of each of the 12 notes. Spoiler alert: G looks like a devil.