Oh, those poor little Twilight-addled tweens–as if they weren’t already goggly-eyed with quasi-chaste adoration of Edward Cullen, hero of Stephenie Meyer‘s Twilight books. How they will melt when they see this utterly shameless New Moon poster that portrays a melancholic Edward Cullen (Robert Pattinson) in a state of tasteful-ish dishabille.
The Beatles‘ remastered catalogue is probably the hottest rock release of the moment, but there are other notable new releases this month: The Stone Roses‘ 20th anniversary re-release double CD and The Pains of Being Pure at Heart (recently written up at The Millions)’s second full length EP, Higher Than the Stars.
Waxwing, a new literary journal, has published its first issue online. The journal’s editors state that their mission is “to include American writers from all cultural identities — in terms of race, ethnicity, indigenous tribe, gender, class, sexuality, age, education, ability, language, religion, and region — alongside international voices, published bilingually.”
Neurotic writers or friends-of-writers are likely to have asked themselves an uncomfortable question: do the writers I know use my foibles for material? At The New Statesman, Oliver Farry lists a number of proofs that they do, citing Dante’s Inferno, Madame Bovary and Beckett’s debut novel Murphy.
Everyone’s favorite scrappy San Fransisco literary web site, The Rumpus, has relaunched with a major redesign. Go over and poke around why don’t you? If you’re looking for a place to start, why not Roxane Gay’s recent essay on the New York Times Book Review section’s dismal numbers when it comes to reviewing books written by people of color?
In the early eighties, when the writer James Lasdun was working in publishing, he rejected a book by a writer who turned out to be a pen name for Doris Lessing. The fallout? He couldn’t bring himself to read her work until this year. (Related: our own Mark O’Connell’s interview with Lasdun about his latest book.)
Out this week: Under the Udala Trees by Chinelo Okparanta; After the Parade by Lori Ostlund; Hotel by Joanna Walsh; The Bamboo Stalk by Saud Alsanousi; Succession by Livi Michael; Selected Later Poems by C.K. Williams; and Notes on the Assemblage by Poet Laureate Juan Felipe Herrera. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.