Loudpoet has an interview with former Soft Skull Press publisher Richard Nash about his new social publishing venture Cursor. ““Social” is taking the book and making it much easier to have a conversation with the book and its writer, and have conversations around the book and its writer.” Is this a way forward for beleaguered publishers? (via The Lone Gunman)
How can science fiction writers invent aliens and entire planets but not include multifaceted characters of color in their fiction? At The Atlantic, Noah Berlatsky discusses the genre’s equality problem and analyzes how race is viewed in everything from The Left Hand of Darkness to Do Androids Dream of Electric Sheep. “When that future unthinkingly reproduces current inequities, it seems like both a missed opportunity and a failure of imagination.”
New this week is Nobel Laureate Orhan Pamuk’s Silent House. Also hitting bookshelves are Heroines by Kate Zambreno, The News from Spain by Joan Wickersham, and more posthumously published work by Kurt Vonnegut. In non-fiction, there’s There Was A Country: A Personal History of Biafra by Chinua Achebe and Short Nights of the Shadow Catcher, National Book Award and Pulitzer Prize-winner Timothy Egan’s biography of Edward Curtis.
Los Angeles-based Millions readers might be interested in some upcoming readings/events with Jon Cotner and Andy Fitch, the authors of Ten Walks/Two Talks. They’ll be at The Public School with Grace Krilanovich on Saturday, 12/11, at Family with Maggie Nelson on Sunday, 12/12, and at Book Soup with Tom Lutz on Thursday, 12/16.
Last week, I pointed readers to an article about Michael Faber’s latest book and his decision to quit writing fiction. Now, in the Times Book Review, Marcel Theroux sizes up the novel, writing that “the reader is drawn through the book effortlessly, by the combination of incidental strangeness and the suspenseful handling of plot.”