Do you think J.M. Coetzee‘s Disgrace should be made into a movie starring John Malkovich? Someone does–see the trailer here.
Disgrace
Taking Off
“Every streetlight is a slightly different hue/of white the squares like the blank faces of robots/offer the Hondas and Toyotas idling in the lot something/like hope and yet I am thinking of all of the people on the planes/landing and taking off the twin miracles of arrival and departure/each of them singing ‘Take Me With You’ whether they know/the song or not they are all singing”. A poem written by Dean Rader on the day of Prince’s death.
Food for Thought
At The New Inquiry, Christine Baumgarthuber writes about the elitist history of food writing before the age of the Internet. Pair with Darryl Campbell’s Millions essay on how food writing manifests social norms.
Some Notes on Sexism and Reviews
Breaking Up with God author Sarah Sentilles responds to some of her memoir’s critics. “Reviewers’ words about my book,” she writes, “demonstrate how sexism shapes responses to women’s writing, in particular women’s writing about God.”
Decoding Moments of Tension in Edith Wharton’s ‘The Age of Innocence’
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Recommended Writers: Caribbean Edition
Ebony has a brief list of “Six Caribbean Writers to Discover This Summer,” and it’s a nice complement to Fortnightly Review’s recent double-feature on Dominican poets Homero Pumarol and Frank Báez. I also recommend checking out Generación Año Cero, an online collection of sixteen short stories from a “movement of [Cuban] writers who began publishing in 2000.”
High Art
What happened to the literature of clothing? Writers like Balzac and Proust wrote philosophies of clothing, but nowadays there seems to be a wall between literary writing and fashion. In Public Books, Mary Davis reads Women in Clothes, a collection which reveals a lot about how much our views of fashion writing have changed. FYI, Rachel Signer reviewed the book for The Millions.
Guy Fawkes Night
“Remember, Remember the Fifth of November / Gunpowder, treason, and plot.” Edward Casey of Electric Literature recalls childhood memories of the strange, lawless, primal, pagan celebration of Guy Fawkes Night–and readers around the world grow jealous.
Venessa Hudgen should play young Melanie.