Can’t get enough Murakami? In the lead-up to the announcement of this year’s Nobel Prize for literature, Dan over at “How to Japonese” will post a short, new Murakami translation each week. The translations come from an unpublished (in English) collection of Murakami’s answers to his readers’ questions. This week, Murakami tackles safe sex.
Although we’ll never get the chance to read Walter White’s memoir, we’ll get the next best thing. Bryan Cranston is writing a memoir due out next year. “With this book, I want to tell the stories of my life and reveal the secrets and lies that I lived with for six years shooting Breaking Bad,” he said. While you wait, grab a book from our Breaking Bad reading list.
In 2010, the poet Tarfia Faizullah traveled to Bangladesh to speak with the survivors of the 1971 Liberation War. Eventually, she wrote a poetry collection about those interviews, which went on to win the Crab Orchard Series First Book Award. At The Paris Review Daily, Sean Carman interviews Faizullah.
For Ploughshares, Emilia Phillips writes about “the corporeality of the lyric.” As she puts it, For some, the act of writing about the body is not necessarily the inclusion of the body as a poem’s subject but the body as the vehicle for the poem. Think of how repetition recalls movement, dancing. Think of how good a rhyme feels in the mouth.”
How can science fiction writers invent aliens and entire planets but not include multifaceted characters of color in their fiction? At The Atlantic, Noah Berlatsky discusses the genre’s equality problem and analyzes how race is viewed in everything from The Left Hand of Darkness to Do Androids Dream of Electric Sheep. “When that future unthinkingly reproduces current inequities, it seems like both a missed opportunity and a failure of imagination.”
A couple weeks ago, Matt Ashby and Brendan Carroll argued in a Salon piece that David Foster Wallace, who wrote an essay about the television and irony back in the early ‘90s, presciently diagnosed the danger of snark in our own age. Now Peter Finocchiaro, a senior editor at Salon, argues instead that we need irony more than we ever have. You could also read A-J Aronstein’s notes from the DFW Symposium.