This Thursday, at Housing Works Bookstore in New York, Garth will represent The Millions in a live quiz show called (accurately) Don’t Know Much About Literature. Kenneth C. and Jenny Davis, authors of DKMAL, the book, will host. Co-contestants include Jason Boog of Galleycat, Ed Champion of Reluctant Habits, Jason Toal of HTML GIANT, Catherine Lacey, and Buzz Poole of Mark Batty Publisher. We’re told buzzers and beer are in the offing, and that second round contestants “include you!” We’d love to see you there.
Appearing Elsewhere
“Keep Arguing”
There are plenty of good reasons to read classic literature, but Mary Beard reminds us that there’s a different kind of classic that’s worth revisiting and questioning. “You do the ancient world much greater service if you keep arguing with them.”
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Book Titles, If They Were Written Today
The wonders of modern book packaging applied to some classic tomes. For example, 40 Days and a Mule: How One Man Quit His Job and Became the Boss. (via)
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Return of the Ferrante
“According to an interview with her publishers in the Italian literary newsletter Il Libraio, translated in The Guardian, Ferrante is putting pen to paper once more.” A year after Elena Ferrante‘s alleged true identity was revealed by a journalist, the intensely-private author is writing again but has no plans to publish a novel in 2018. Pair with: staff writer Marie Myung-Ok Lee‘s essay on Ferrante, privacy, and woman writers.
On Packing a Library
“Many times, I’ve found that a book I once held in my hands becomes another when assigned its position in my library.” In The Paris Review, an excerpt on the art of packing (and unpacking) a library from Alberto Manguel‘s upcoming book, Packing My Library: An Elegy and Ten Digressions. Pair with: an essay on reorganizing one’s personal library.
Said the Gramophone
Over at Words Without Borders, Esther Allen considers how to translate a song. As she puts it, “A song that almost everyone in a given culture at a given moment knows is a unique cultural artifact, a crystallized collective experience, a profound trigger that sets off a complex string of shared emotions.” Pair with Magdalena Edwards’s Millions essay on songs as triggers.
On “Reading to Impress Yourself”
Rebecca Mead writes for The New Yorker about “The Pleasure of Reading to Impress Yourself” and the false divide between books “we read because we want to and those we read because we have to.”