Shhdontellsteve is a Twitter account devoted to “Steve,” the roommate of the unnamed narrator. Kind of like The Truman Show for Twitter. (As I write this, it occurs to me that this may constitute “telling Steve.” Apologies if that’s the case.)
The Commission Générale de Terminologie et de Néologisme – the division of the French government responsible for preserving the integrity of the Gallic language – ruled last week that enough is enough when it comes to “hashtag.” They feel the word is just too English for the banks of the Seine. They recommend instead using the decidedly softer “mot-dièse” (pro: ‘Mo-Dee-YEZ’). Previously the group asked residents to replace “email” with “courriel.”
The introduction Junot Díaz wrote for Dismantle: An Anthology of Writing from the VONA/Voices Writing Workshop has been adapted as a contribution to the ongoing conversation (of which The Millions has been a part) about writing programs at large and about MFA vs. NYC specifically. At issue is Díaz’s (rightful) assertion that an important topic – diversity – hasn’t been adequately addressed in evaluations of the supposed program and publishing dichotomy thus far. (Related: Sandra Cisneros’s “I Hate the Iowa Writer’s Workshop.”)
Ian Crouch writes for The New Yorker about a new version of The Sun Also Rises, which gives readers a peak into Hemingway‘s drafts and revisions. Crouch believes that by reading these drafts carefully, one can pick out a “minor manifesto” that “conceives of a book with greater intellectual and artistic ambitions than Hemingway ever produced.” In the words of Hemingway’s character Jake Barnes, “Isn”t it pretty to think so?” Pair with our own review of the latest edition of The Sun Also Rises.
Our own Edan Lepucki sits down with Brad Listi for an Other People Podcast. If for nothing else, listen to them discuss Facebook addiction. Their discussion starts around the eleven minute mark. (P.S. you should also check out both Edan and Brad’s Year in Reading posts.)