Recommended Reading: Jesse Eisenberg’s stream of conscious New Yorker short story, “A Short Story Written With Thought-to-Text Technology.” “When he was younger he used to stay late after school on Fridays and come in early on Mondays, a pattern his mother referred to with equal parts admiration and disdain as ‘studying overtime.’ Jesus, I’ve written another loser.”
Out this week: Beatlebone by Kevin Barry; Memory Theater by Simon Critchley; Bright Scythe: Selected Poems by Tomas Tranströmer; Charmed Particles by Chrissy Kolaya; and This Old Man by Roger Angell. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
Two journals started the week by showing off their fancy new faces. Gigantic launched a new web site for the magazine, featuring a chapter from Shya Scanlon‘s Forecast 42 and new fiction by J.A. Tyler. The Barnes & Noble Review debuted a toothsome redesign along with a sobering essay on book publishing by former Executive Editor-in-Chief of Random House, Daniel Menaker.
First Poor Yorick Entertainment emerged as a “visual exploration of the filmography of James O. Incandenza and the world of David Foster Wallace‘s Infinite Jest.” Then, as The New York Times reports, “Parks and Recreation” co-creator Michael Schur paired up with The Decembrists to direct a music video inspired by the book. (You can watch the video on YouTube.) Now, thanks to this Radiolab podcast (and an alley-oop from @nateharris), another one of the novel’s scenes is brought to life.
In her short history of executioners, Stassa Edwards notes that the decision to replace “the traditional punishment” of drowning people “in a sack in a local river” was actually quite pragmatic: it was “more economical” to go with a simple beheading.