FSG just launched their new online literary periodical, Work in Progress. Check out their debut issue, where you’ll find Jeffrey Eugenides chatting about his latest book with Jonathan Galassi, fiction by Lydia Davis, summer book giveaways and photos from the FSG archives. Look for the clip from an FSG letter introducing Susan Sontag’s first book in 1963: “It is difficult, as you know, to create interest in new writers.”
Jill Abramson, fired last week from her post as New York Times executive editor, broke her silence today with her commencement address at Wake Forest. “I’m talking to anyone who has been dumped,” she said. “Not gotten the job you really wanted or received those horrible rejection letters from grad school. You know, the sting of losing, or not getting something you badly want. When that happens, show what you are made of.” Video here.
Last week, I pointed readers to a recording of Benedict Cumberbatch on BBC Radio, reading Kafka’sMetamorphosis. Over at Slate, Rebecca Schumanexplains why Cumberbatch is the story’s ideal reader, unpacking his “withering, perfectly enunciated deadpan.”
Dan Piepenbring writes at The Paris Review on judging a book by its cover in the Weimar Republic and the sheer mastery of some of the early twentieth-century German cover designers. Two related pieces from The Millions: our own Bill Morrison the pleasures of the typewritten book cover and Matt Allard on reimagining some popular cover art.
Wes Anderson really likes trains, and not just any trains — the director of The Grand Budapest Hotel is a big fan of riding on Amtrak. “It’s one thing to be stuck together for the long haul to New Zealand in the upper deck of a 747 for 16 hours,” he told a writer for the company’ s blog, “but it’s an altogether different matter to hit the dining car three meals a day for two and a half days running onboard the Southwest Chief.” This may be a good time to read our own Nick Ripatrazone’s essay on writers and trains.