n+1on the 10th anniversary of Britney Spears’ “Baby One More Time”: “After her came the deluge: the end of the record industry as we know it, yes, but also the end of America as it used to conceive of itself.”
“The plot, obviously, is kind of difficult to explain, like an earnest, pared-down, hipster Foucault’s Pendulum. Not only are all of the plot turns above laid out through a multiframed narrative, replete with several people’s footnotes, but the events are interwoven with disquisitions on the history of map-making, Situationist philosophy, urban planning, and pop music.” At Slate, our own Lydia KieslingreadsCatie Disabato’sThe Ghost Network. (ICYMI, Dan Lopezreviewed the book for The Millions.)
“Wallace’s status has rapidly evolved from marginal writer, noted for long, experimental work, to indispensable reference point for people writing about almost anything—from college football to WikiLeaks.” On the powerful afterlife of David Foster Wallace.
“There are times it’s happening multiple times a day. Not too long ago, we had two in the same restroom at the same time. We call security, security calls paramedics. Of course they always find somebody lying there.” Samantha Sanders writes for Catapult about the epidemic of opioid overdoses in public libraries, and what some librarians are doing to respond. And ICYMI, here is Corinne Purtill in our own pages about British libraries under austerity cuts.