Tonight’s installment of the Pacific Standard Fiction Series here in Brooklyn features two top-flight novelists: Joseph O’Neill, author of Netherland, and Hari Kunzru, author of My Revolutions and The Impressionist. Books will be for sale on-site, and drink specials will be chosen by dartboard. The reading starts at 7 p.m. at Pacific Standard, between Bergen and St. Mark’s. Hope to see you there!
Note: Irrelevant comments pitching books or other products will be deleted immediately. If you would like to promote your book, website, or other product, please consider advertising with us. You can do so through BlogAds at this link or you can email Max with questions.I like using Blogger as the platform for this blog, but I’ve found that the interface for commenting is frustratingly confusing for many commenters. Up until now, I was resigned to the fact that some of my potential commenters were giving up, but then I saw a helpful post at the Written Nerd where Jessica explains to her readers how to use Blogger’s clunky commenting system. Luckily, Jessica was nice enough to let me borrow the wording from her post.So, for anyone having trouble commenting, follow these steps:1. Click on the “Comments” link at the bottom of the post on which you wish to comment. From there you can read comments that other people have left and/or click on “Post a Comment” at the bottom to leave your own. A new window will pop up (disable your pop-up blocker if you need to.)2. In this new window, type in your comment in the box under “Leave your comment.”3a. If you have a Blogger or other supported user account, click on the “sign-in” bubble to use it. Type in your user name and password in the blanks that appear.3b. If you want to comment using your name (or any name) but don’t want to use, or don’t have, a Blogger account, click on the bubble next to “Nickname.” Type the name you wish to use in the blank marked “Nickname.” The “URL” blank is optional, but you can use it to include the address of any website you want people to link to when they click on your name in the comments.3c. If you want to post your comment anonymously, click on the bubble next to “Anonymous.” You will not be asked for any identification info.4. Click “Preview” if you want to see what your comment will look like. You can edit the writing in the “Leave your comment” box to modify your comment.5. Click the blue “Publish Your Comment” button.Congrats! You’ve left a comment at The Millions!Note: If you are not signed in with your Blogger account, you will likely also need to fill in the “word verification” field to make sure that you aren’t a robot or a spammer. Simply type in the characters you see in the picture above the pace.
Stockbrokers and art gallery owners take off for half the summer. Maybe bloggers should too. Due to my impending wedding (T minus 4 days), and a busy schedule of traveling and moving (for the second time in three months), I will have to cut back on my blogging for the next month and a half or so, at least until we get settled in Chicago. In the meantime, expect approximately one post per week, and also a more relaxed attitude as befits the time of year. You should try it, too, and maybe we’ll run into each other among the gallery owners and stockbrokers in the Hamptons, on the Vineyard, or in the South of France.
The Millions (virtual) back office is looking for some help again. The site continues to grow, and that means we have an opportunity to add two more book-loving people to our team.
We are looking for someone who can help us with a few specific things. The new Millions intern will contribute to our “Curiosities” link blog and will help man (or wo-man) our Twitter feed, Facebook page, and Tumblr. Through those avenues, the interns we seek will have an audience of hundreds of thousands and will be introducing The Millions to new readers every day.
In return for a very modest time commitment, our interns will also join a great group of creative thinkers and have the opportunity to get their work edited by the working writers among us and potentially see their pieces published at The Millions. As is the case with our crew of regulars, our intern will be compensated for the pieces he or she publishes on the site. Several past interns have also transitioned into other roles on our staff.
Here’s what we’re looking for:
A voracious reader – Our ideal candidate will be well-read and have a solid knowledge of contemporary fiction.
A social media superstar – Again, Twitter, Facebook, (Tumblr, blogging, etc.)
Experience with WordPress is a huge bonus.
Experience with Photoshop would be enticing, but is by no means required.
More details: This isn’t going to be anything close to a full-time gig. We’re thinking 5-10 hours a week realistically, plus as much time as you want to spend writing for us. We think the internship would be a great fit for a college or grad student, but are certainly open to hearing from non-students of any age whose schedules will allow them to do this. We’re looking for a one-year commitment, though we can be flexible on the duration. The Millions has no dedicated office, so this is a remote position and can be done from anywhere in the world.
The position is unpaid, but any long-form pieces that you write for the site and are approved for publication will be compensated using the same system we use to compensate our regular writers. And there will most probably be some free books here and there and also opportunities to attend interesting literary events.
Why should you do this? The Millions is read by hundreds of thousands of people every month. Our readership is a laundry list of influential, brilliant folks in the publishing and media industries as well as in academia, not to mention the most engaged, avid readers of literary work that you’ll find anywhere. Aside from learning about how a site like The Millions operates, you’ll have an opportunity to write for all these people, and you’ll get experience running a Twitter account with 230,000 followers.
How to Apply:
Please send the following to [email protected]
Three sample Curiosities, using the format we use on the site
If applicable and you are willing to share, we would like to see the following: Twitter account(s) you use; any Facebook pages you’ve had the opportunity to run for schools, publications, companies, etc.; your Tumblr(s) (Essentially, show us that you have experience using these, even if it’s just your own sparsely followed, but very entertaining Twitter account.)
In addition, show us the other cool stuff you are responsible for online, your blog, etc.
The deadline is (slightly less than) one week from today: end of day 7/29.
We look forward to hearing from you!
I’ve been teaching fiction writing out of my apartment for over a year now. Seven people show up to my place once a week to eat some gourmet cheese, drink some wine (or sparkling water), and talk about fiction writing. It’s been terrific to explore craft topics with such a diverse group of Angelenos; my students range in age from 24 to 57, and, when they’re not writers, they are painters, actors, therapists, vineyard owners, producers, nannies, midwives, and so on. I always try to balance the intensity of our critique sessions (because they are intense – this ain’t no touchy-feely love fest) with discussions of published work (for how can you write if you don’t read?) and writing exercises (which are either loved or hated, depending on the student). Teaching inspires and challenges me, and it keeps me writing – for how could I present myself as a voice of authority if I weren’t committed to the art form?This November, I’m trying my hand at a weekend seminar, called Introduction to Fiction Writing. It’s designed for new writers, but I plan for it to be useful to more experienced writers as well, those who want to revisit technique and gather new material. If you’re an L.A. reader of The Millions, perhaps you’ll join me?Here’s the course description:In this seminar, we will explore the major tenets of fiction writing, including characterization, narrative voice, prose style, point of view, scene and summary, dialogue, and structure. Over the course of the seminar, we will continually return to certain questions: How can we use language to capture the uncapturable? How can a bunch of words on the page move us, make us understand what it means to be human? How can form and technique help us to improve as writers? In an attempt to answer these questions, we will look to published fiction for guidance, and dive into various writing exercises. Students will leave the seminar with the beginnings of several promising projects, as well as the skills to follow through with them.When: Saturday 11/17 and Sunday 11/18, 10:30-12:30 and 1:30-3:30 pm each day7 student maximum enrollmentThe course will take place in Los FelizCourse fee: $110Email me at [email protected] for more information.
[Max: This is the introduction to a new monthly feature written by Corey Vilhauer who blogs at Black Marks on Wood Pulp]For the most part, I’m a young reader.I’m not well versed with years of thoughtful reading. I’m only 27, and in that time I’ve only read so many books in between finishing school, staring a career, and watching too much television.Now I’m struggling to catch up. Luckily for you, I’m broadcasting this struggle to the masses.Each month on my blog I recap everything I’ve read – a “What I’ve Been Reading” column. There’s a lot to be said about the paths a mind takes when selecting a new book, and part of what I do is try to make those connections. Why would I bother reading a George Orwell essay right after finishing Bill Bryson’s Notes from a Small Island? It could be that I was obsessed at the time with English culture and wanted to continue riding the wave. Or it could be that Bryson mentioned a certain Orwell passage while recounting his three month jaunt around England.Or, it could be as simple as “I bought it and wanted to start it immediately.”Well, I can’t bring all of that to The Millions. What I can bring, however, is my favorite book of the month. Call it the Vilhauer Book of the Month club. Some months it’s going to be a classic, like John Steinbeck’s East of Eden. Others are going to be more obscure – think Jonathan Safran Foer’s The Unabridged Pocketbook of Lightning (a 70th anniversary Pocket Penguin released only in the U.K. and Canada).Regardless, I’ll bring it to you. You’ll get the background as to why I’m reading it. You’ll get the story itself. You’ll get why I like it. You’ll get what it led me to read next.All in all, you’ll get every stinking second I’ve spent on the book – from selection to completion – and you’ll have no one to thank but Max for allowing me to spout off on this site. Thank him later, if you wish.Corey Vilhauer
Stop by the stately Mercantile Library at 7 p.m., where the literary magazine [sic] will be hosting a party. I’ll be reading from, and signing copies of, A Field Guide to the North American Family, and the illustrious Diane Williams, editor of NOON and author of Excitability, among other titles, will be reading from her new book, It Was Like My Trying to Have a Tender-Hearted Nature. The Merc is located at 17 E 47th Street, between Fifth and Madison Avenues. I’d love to see you there.