If you like the New York Giants,
Or just happen to live in New York and listen to sports radio;
If you have heard how fickle Giants fans have treated their quarterback,
Doubting his abilities with every unkind bounce of the ball;
If you were subjected to any amount of Superbowl hype
In which Eli Manning was measured without end against Tom Brady,
If you are a little brother, an upstart, or an underdog of any ilk;
If you harbor any trace of a belief in the power of sports to thrill and inspire,
Or have yourself been doubted and maligned;
You will recognize these words of Rudyard Kipling
Have uncanny meaning in the context of Sunday’s big game,
In which young Eli became a Man(ning)
If you like the New York Giants,
Arts and Letters Daily recently linked an article from the National Journal that takes stock of an interesting development at the New York Times. In the wake of the Jayson Blair scandal and a good amount of internal and external strife about wavering journalistic standards, the Times has appointed an ombudsman, a position more commonly found at campus newspapers than at the world’s most important dailies. This ombudsman happens to be an author and journalist, Daniel Okrent, whom I admire for his baseball book Nine Innings and who was recently named a Pulitzer finalist for his book, Great Fortune: The Epic of Rockefeller Center. His columns bring an impressive amount of transparency to a very powerful newsroom, and I suggest everyone read them before Okrent’s fellow employees stage a coup and kick him out. The most recent column can be found here.
Adam Langer has an entertaining essay at The Book Standard which is full of discarded titles for classic books and films. But the fact is that Thomas Wolfe’s original title O, Lost doesn’t have quite the same ring as Look Homeward, Angel, nor does Margaret Mitchell’s Fontenoy Hall, which became Gone with the Wind. If F. Scott Fitzgerald had gone with Trimalchio in West Egg, one of his working titles for The Great Gatsby, God knows what we’d have studied in high school.In the essay, Langer also reveals that his next book is tentatively titled The Washington Story.
Mayor Daley announced the latest “One Book, One City” selection for Chicago today. I don’t know if anyone pays much attention to these recommendations now that the OBOC craze has faded a bit, but the book is worth reading. The Ox-Bow Incident by Walter Van Tilburg Clark is a somewhat forgotten classic from 1940, a spare but stirring tale of morality in the lawless Old West. I recommend it highly whether you live in Chicago or not.
I stopped by the Vroman’s Bookstore blog today to answer some questions about teaching creative writing. On Tuesday, June 3rd, I begin teaching a 6-week beginning fiction class for their Vroman’s Ed program.Also, if you have a teenager, you might consider signing him or her up for my summer fiction writing class for high school students, which begins Tuesday, June 24th. If you are a teenager, and you’re reading this blog, well, you rock and I want you in my class!
Before I worked at a bookstore, books were just things to be read. I never gave much thought to the big glossy volumes that occupy a lot of shelf space in many book stores. But the world of so-called “coffee table books” is surprisingly varied, going way beyond books of art or photographs of faraway places. With impressive production values – and hefty price tags – these books are closer to works of art than literature. I was reminded of this after an article London Review of Books pointed me to a book called Disruptive Pattern Material: An Encyclopaedia Of Camoflage: Nature, Military, Culture. The heft and glossiness of such a volume, despite – or perhaps because of – its esoteric focus, somehow make it inordinately desirable to me. Taschen, the eccentric European publishing house known for its expensive and eclectic selections, also occasionally puts out books that have this affect on me, like the Cabinet of Natural Curiosities. And I’m a sucker for atlases, the bigger and glossier and more stuffed with maps and diagrams and charts the better, like the National Geographic Atlas of the World. I am especially intrigued by atlases devoted to a narrow topic like the Atlas of Contemporary Architecture.