Stop by the stately Mercantile Library at 7 p.m., where the literary magazine [sic] will be hosting a party. I’ll be reading from, and signing copies of, A Field Guide to the North American Family, and the illustrious Diane Williams, editor of NOON and author of Excitability, among other titles, will be reading from her new book, It Was Like My Trying to Have a Tender-Hearted Nature. The Merc is located at 17 E 47th Street, between Fifth and Madison Avenues. I’d love to see you there.
I’ve added the book news feed from the Baltimore Sun to the Book News via RSS feature. I’d like to keep the list of sources as up to date as possible, so if you spot any other book news feeds, send them my way.Here’s the original Book News via RSS post with the complete list of sources.
The Millions back office is looking for some help again. The site continues to grow, and that means we have an opportunity to add another book-loving young person to our team.
We are looking for someone who can help us with a few specific things. The new Millions intern will helm our “Curiosities” link blog and will man (or wo-man) our Twitter feed and Facebook page. Through those avenues, the intern we seek will have an audience of tens of thousands and will be introducing The Millions to new readers every day.
In return for a very modest time commitment, our intern will also join a great group of creative thinkers and have the opportunity to get their work edited by the working writers among us and potentially see their pieces published at The Millions. As is the case with our crew of regulars, our intern will be compensated for the pieces he or she publishes on the site.
Multiple daily posts to the “Curiosities” link blog
Taking charge of The Millions Twitter account
Taking charge of The Millions Facebook page
Coming up with new ideas for fun ways to utilize the above
Here’s what we’re looking for:
A voracious reader – Our ideal candidate will be well-read and have a solid knowledge of contemporary fiction.
A social media superstar – Again, Twitter, Facebook, (Tumblr, blogging, etc.)
Experience with WordPress is a huge bonus.
More details: This isn’t going to be anything close to a full-time gig. We’re thinking 5-10 hours a week realistically, plus as much time as you want to spend writing for us. We think the internship would be a great fit for a college or grad student, but are certainly open to hearing from non-students whose schedules will allow them to do this. We’re looking for a one-year commitment, though we can be flexible on the duration. The Millions has no dedicated office, so this is a remote position and can be done from anywhere in the world.
The position is unpaid, but any long-form pieces written that you write for the site and are approved for publication will be compensated using the same system we use to compensate our regular writers. And there will most probably be some free books here and there.
Why should you do this? The Millions is read by upwards of 30,000 people every week. Our readership is a laundry list of influential, brilliant folks in the publishing and media industries as well as in academia, not to mention the most engaged, avid readers of literary work that you’ll find anywhere. Aside from learning about how a site like The Millions operates, you’ll have an opportunity to write for all these people, and you’ll get experience running a Twitter account with nearly 30,000 followers.
How to Apply:
Please send the following to [email protected]
Three sample Curiosities, using the format we use on the site
If applicable and you are willing to share, we’d be interested in seeing the Twitter account(s) you use and any Facebook fan pages you’ve had the opportunity to run for schools, publications, companies, etc. (Essentially, show us that you have experience using these, even if it’s just your own sparsely followed, but very entertaining Twitter account.)
In addition, show us the other cool stuff you are responsible for online, your Tumblr, your blog, etc.
The deadline is one week from today: 6/27.
We look forward to hearing from you!
Though it passed unremarked (I was on vacation), Monday was the five-year anniversary of The Millions. This blog started as something quite inconsequential. At the outset of The Millions, I would have put the chances of me sticking with it through the end of 2003, let alone for five years, at somewhere south of 5%. Making it this far is pretty astonishing.Those of you who have been with us for a long time know that I soon settled on books as a topic, discovered other people who had blogs about books, and eventually was joined here by some incredible writers (and readers).I used to use these annual occasions to expound upon the state of literary discourse online. In years past, there seemed to be quite a bit of excitement as individuals – talented enthusiasts and seasoned pros alike – staked out some online territory and sent their musings about things literary into the electronic ether. When the world, both readers and the mainstream press, began to take notice, it was thrilling. Certainly, we had some notable moments this past year: we talked Harry Potter, The Millions landed on NPR, and our Year in Reading set the bar high for year-end roundups (and that’s just to name a few. Check out the Notable Posts on the sidebar for more.)Nonetheless, there isn’t as much to say about the state of litblogs anymore. As I’ve noted in the past, they really have become assimillated, if not into the mainstream of traditional book reviewing culture, then undoubtedly into the massive miasma of personal publishing all over the web, where anyone can find their favorite nook and where no one will any longer bat an eye at hundreds of cross-pollinated blogs discussing books and whatever else.For this reason, I wasn’t all that surprised to hear that the Litblog Co-op folded recently (Dan Green made the announcement). It was an idea of an earlier period (only three years ago, but things move fast these days), when there were a few independent bloggers writing about literary matters with each, to varying degrees, commanding a small but measurable and loyal audience. Pool our resources, the idea went, and we can make an impact. It started off well and garnered a good deal of press, but it was doomed from the beginning in many ways. It wasn’t built to scale as the community grew, and there was no way for the hundreds of new bloggers and thousands of new readers to take meaningful part in the experiment. Combine that with the inherent challenges of managing a leaderless, decentralized group and it’s a testament to the people involved that it lasted as long as it did.I bowed out from the LBC early last year, facing too many constraints on my time and needing to cut back. Still, the end of that experiment prompts me to take stock of The Millions. Though some folks in the bookish corner of the blogosphere shy away from it, and others criticize their colleagues’ ad placement but stop the presses for flashy pledge drives, I am unashamedly proud of The Millions for marching onwards towards being a legitimate literature and arts publication. In a time when many are fearful of the diminishing commercial viability of literature and the arts, it is heartening to see that The Millions has grown from a hobby into a business, albeit one that is still nascent and that is, because of the small sums involved, still very much a labor of love. While I harbor no delusions that The Millions will become a heavyweight of the blog world, the opportunity is there to keep making it better, and I find that exciting.Before I wrap this ramble up, I want to thank our readers. We very much enjoy writing for you, and we value your intelligence, curiosity, and feedback. Thanks for another great year at The Millions.(And thanks to Mrs. Millions for creating the nifty “5” graphic above as a birthday gift for The Millions.)Birthdays Past: An Historic Day; The Millions Turns Two; Thanks for Three Years from The Millions, Four Years of The Millions.
After about three days of tinkering, cutting and pasting, and banging my head against the wall, I’m happy to announce that The Millions has a new address, a location on the internet from which I’m hoping it will not move.Before I go any further let me ask you to please update your bookmarks to www.themillionsblog.com. I’ve set it up so that visitors to the old blog will be redirected to the new blog automatically, but that will only be in place for a limited time. If you read The Millions via its RSS feed, that has changed as well: this is the new feed.Now, why did I do this? Well, the previous address, my Realistic Records address, was meant to be temporary. I moved my young blog there to get it off of Blogspot. At the time I knew very little about registering domains and FTPing and things like that, so I just had my friend Derek set me up on the domain he had bought for our little record label project. Well, the record label project is ancient history, I was tired of my blog’s unwieldy address, and I figured it made sense for The Millions to be on a domain that was owned by me and not someone else.Some housekeeping issues. In moving the site, I took the opportunity to change a few things, including switching commenting systems. I think the new setup will be better for conversation on the site, but unfortunately all the old comments are gone. I wanted to save them but there wasn’t any way. Also, the site search will not work for a while until the new site is indexed in Google. Finally, please let me know if you are encountering any difficulties viewing the new site or if you find any broken links. You can email me here.Thanks!
This Thursday, December 6, Gallery Bar on the Lower East Side will host an opening for A Field Guide to the North American Family: The Exhibition. Co-curated by Mark Batty Publisher and the Humble Arts Foundation, this month-long exhibition will showcase prints of the photographs I selected to illustrate my book. Here’s your chance to see the works of brilliant photographers like Jon Gitelson, Tema Stauffer, and Matt Nighswander in person – and even to take one home, if you’re inclined to purchase.Just as importantly, the opening, which runs from 7 to 12 p.m., should be a rocking party. Wine is free from 7 to 8, and drink specials run all night. I’ll be signing books and getting my social chops back in shape for the holiday season. Hope to see some of you there! For more information, see the Gallery Bar website.Then, on Sunday, it’s back on the Lower East Side. I’ll be reading at Bluestockings Bookstore with Alex Rose, trail-blazing author of The Musical Illusionist, the second release from Akashic’s Hotel St. George Press. I hear that Mr. Rose has a multimedia extravaganza planned to coincide with his reading, so I’ve been hard at work on my own visual aids. The reading’s at 7, and again, it would be great to see some Millions readers in the crowd.
I’m teaching another eight-week Short Fiction Workshop, which will begin March 12, 2009. This course differs from previous ones in that, aside from our examinations of published short fiction, we will also be reading nonfiction writing about writing (so far I’ve got Annie Dillard, Italo Calvino and Lewis Hyde on the list – with possible inclusion of Lynda Barry, Rick Bass, and Gary Lutz). These won’t be how-to discussions, but, rather, meditations on, among other things, what writing is like, both when it’s going well and when it’s going poorly (Dillard), and what it means to be an artist in this contemporary world (Hyde). I’m curious where discussions of these texts will take us. What you might suggest for this kind of syllabus?Here’s the official course description and my nifty bio.If you’re interested in the class, email me at [email protected]And…check out the new website!Short Fiction Workshop Spring 20098 Thursdays, 03/12/2009 to 05/07/2009 (no class 04/02/2009) 7:30-9:30 pm$340 for new students; $310 for returning studentsEnrollment limit: 8 StudentsFor the first four weeks of this eight week course, we will do in-class writing exercises and discuss published short fiction from a craft perspective. We will also read and discuss essays about writing and the writing life by such authors as Annie Dillard, Italo Calvino, and Lewis Hyde. For the final four weeks of the course we will workshop student work in a serious environment meant to challenge and inspire every member of the class. Each student will have the opportunity to workshop one short story manuscript.For more information, go here.About the Instructor:Edan Lepucki has an M.F.A from the University of Iowa Writers’ Workshop. Her short fiction has been published in Meridian, the Los Angeles Times, CutBank, Narrative Magazine, Avery, and the Los Angeles Review. She has taught creative writing at the University of Iowa, Oberlin College, the Gotham Writers’ Workshop, and for Vroman’s Bookstore’s Education Program. She is currently at work on a novel.