Likely aware that most of us are now jaded to the astronomical sales numbers that the Harry Potter books put up, Amazon has grabbed shoppers’ attention with an interesting ploy. The site is now looking to inspire further frenzies of buying by pitting town against town. “The Harry-est Town in America” is the American city or town that pre-orders the most copies of Harry Potter and the Deathly Hallows, and with that honor comes a $5,000 gift certificate to be donated by Amazon to a charity of the city’s choice. Unsurprisingly, suburban locales make up pretty much all of the top 100 “Harry-est” towns in America, and the D.C.-area suburbs of Northern Virginia appear to have a particular affinity for the boy wizard. Also, following up on yesterday’s “limited edition” post, a new box set of Potter books (pictured above) has been announced. It features “a collectible trunk-like box with sturdy handles and privacy lock” and “decorative stickers.”
I’ve got an affinity for diagrams. I find the books of Edward Tufte fascinating, and my interest in such things extends even to the “infographics” contained in most newspapers. I like the idea of distilling something complex down to a visual representation.And what is more complex than Finnegans Wake, which was the subject of a dense and mysterious-looking diagram from the book Vision in Motion by Laszlo Moholy-Nagy. Richard Kostelanetz highlights the diagram in an essay about Moholy-Nagy, about whom he writes “Need it be said that no other modern artist wrote as well about literature?”Kostelanetz goes on to write “What Moholy established in Vision in Motion was a model of writing about all the arts as a single entity, to be called art, whose branches (literature, painting, etc.) were merely false conveniences conducive to specialization and isolation.” (via)This multi-discipline approach would seem to be of particular use in our multimedia world. It’s brings to mind another creative attempt to parse a complex work of literature via non-traditional means: the Pynchon wiki.
Mrs. Millions and I are headed to Los Angeles for a few days starting tomorrow morning. We’re excited to see how LA is doing since we moved away, and we’re especially enamored with the idea of taking few days off from the Chicago winter (although it hasn’t been too bad here these last few days.) Among many other activities, I plan to visit the book store where I used to work. That’ll bring me back to the roots of this blog, remind me of the good old days. All in all, it should be a pretty busy trip; lots of friends to see and some family, too, and lots of In ‘n’ Out Burgers to eat. Wifi isn’t free at the hotel, apparently, and we’ll be staying with friends some of the time too – so expect little or no blogging.However, I implore you to please direct your browsers toward The LitBlog Co-op on Monday morning where the newest LBC pick will be revealed with much fanfare. The nominees will be announced over the course of the week, as well, (and there will be an appearance by yours truly.) Next week is LBC Week. See you then.
A few months back there was some fuss about Penguin selling, for close to $8,000, the Complete Collection: More than 1000 of the Greatest Classics. Recently, used bookstore owner Jeff Sharman went through his inventory and found “a handful of forgotten Penguin Classics” – ones that didn’t make the cut. He raises an interesting point that not all classics stand the test of time.
Franzen’s name looms appropriately large on the cover (in a font that recalls Ed Ruscha [edit: or Wayne White]), as does what appears to be a variety of blue jay a Cerulean Warbler. All of this is set atop a lake scene at sunset, the evergreen trees in the background suggesting northern latitudes.
As we noted in our 2010 book preview: “The excerpt from the novel that appeared last year [in The New Yorker] was notable for its return to the more generous ironies that endeared The Corrections to our ‘Best Fiction of the Millennium (So Far) panel.'”