Thursday Links

Many aspiring writers wind up in publishing jobs or teaching posts. Some view the career choice as a happy union between their creative interests and their vocational qualifications. T. S. Eliot was not so. In an article for The Rumpus, Lisa Levy notes that the poet continued “to work at the bank even after his poems [became] successful,” and that the poet found the work “more conducive to writing poetry and criticism than taking a more literary job might be.”

Just when you thought I wouldn’t make you sad about Alan Rickman again, here he is starring in a film adaptation of one of Samuel Beckett’s short plays. In case you missed it last time, these recordings of Rickman reading from Shakespeare, Proust, and Thomas Hardy will surely generate some feelings.

BuzzFeed is looking for the next round of applicants for their annual Emerging Writers Fellowship, which has a mission to “diversify the broader media landscape by investing in the next generation of necessary voices.” The fellowships are given to four nonfiction writers and include a $12,000 stipend and career mentorship from BuzzFeed’s editorial staff. The deadline is October 1.

Mary Ruefle, author of the forthcoming Madness, Rack, and Honey, wrote a poetic essay on the subject of fear. It’s chock full of lines like this one about why she likes the word dread more than the word fear: “because fear, like the unconscious emotion which is one of its forms, has only the word ear inside of it, telling an animal to listen, while dread has the word read inside of it, telling us to read carefully and find the dead, who are also there.”

Recently, both Batgirl and the Norse god Thor (as conceived by Marvel) have been updated to suit the times. While DC Comics simply gave Batgirl sensible, combat-appropriate clothing, inspiring happy fan art; “female Thor” has met a mix of excitement and bewilderment. Fittingly, a new piece out at Aeon explores our conflicted desire to see male protagonists in fiction — the Harry Potters and Bilbo Baggins’ of the world — reimagined as women. (Also, because no roundup of imaginary characters is complete without fake social media updates, here’s Thor lamenting the loss of his hammer on Facebook.)

“How young we once were:” Slate reviews a 90s-era Clueless spin-off novel.