Waterboro Library in Maine has compiled a list of books about “Drowned Towns,” – “Mysteries and other fiction with a featured element of intentional submerging, inundating, and flooding of towns, villages, cities, and other places as a consequence of building dams and reservoirs for water supply, hydroelectric power, irrigation, flood management, and job creation.” Also known as “Reservoir Noir.”
Rare art by Calvin & Hobbes creator Bill Watterson (via)
The Written Nerd looks at the ethics of “street dates,” the “do not sell before this date, or else!” restrictions that come with blockbuster books.
The IHT looks at Gunter Grass’ new memoir, roughly translated as Peeling the Onion. Earlier this month Grass told the world that the book would reveal that he had been a member of the Waffen SS during World War II. Word has it, the book is unlikely to appear in the US any time soon.
Essay Liu‘s essay “Seven Days After Father” has been translated by Kevin T. S. Tang for Blunderbuss Magazine and presents a daughter’s sincere grief confused by custom. “‘The funeral director forbids tears as we approach your coffin, but demands that we weep on our return. This is the movie script we’ve been handed, one we’ll be beholden to for days, and I know that many things are not mine to decide anymore. Even our tears have been planned for us.”
Paris Review co-founder Peter Matthiessenwill publish a new novel in the spring of next year. Matthiessen, who won the National Book Award in 2008 for his last novel, Shadow Country, said the new novel centers on “a weeklong meditation retreat at the site of a World War II concentration camp.”
“This is the odd space these Theory Generation novels inhabit, making them peculiar novels of ideas. Their writers have read enough Theory at a young enough age to be in continued thrall to its power; they do justice to the disorienting shock those texts once had, and perhaps still have. Yet they are old enough to ironize (tenderly or bitterly) that power.” Are you a member of the theory generation?
Recently, it seemed hard to find a book not blurbed by Gary Shteyngart. He did blurb 150 books in the past decade. Yet now the author has decided to mostly retire from blurbing, he announced in The New Yorker. “Literature can and will go on without my mass blurbing. Perhaps it may even improve.” Pair with: Our own Bill Morris’sessay on whether or not to blurb.