Hard to Pronounce Literary Names

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August 22, 2006 | 3 books mentioned 94 3 min read

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Update 3: Thanks to some friendly advice, and seeing competing pronunciations flying around in the comments, especially for that pesky Goethe, I decided to go to the library and to do a little more Internet research to try to get some definitive pronunciations for these names, specifically printed references where available. So here is a new updated post on Hard to Pronounce Literary Names

Ask the Internet any question you want, and usually you’ll be able to learn the answer, but for some reason it’s not very good at helping people find out how to pronounce words and names. I’ve noticed, looking at my visitor logs, that people show up here again and again trying to find how to pronounce a handful of difficult literary names. Sadly they’ve found no answers here… until now. So on to the pronunciations.

  • J.M. Coetzee – the Nobel Laureate’s name is pronounced “cut-ZEE-uh” according to this Slate article and a number of other news items.
  • Paul Theroux – This well-known travel writer’s name “is pronounced ‘Thor-ew,'” says the Honolulu Star-Bulletin, “not like the dude from Walden Pond” (which would be Henry David Thoreau, whose name, according to the “Pronouncing Thoreau” sidebar to this NPR story is frequently mispronounced; it is supposed to sound like “thorough.”)
  • Spy novelist John Le Carre is pronounced “luh KAR-AY” or “luh kahr-AY,” according to this site, which lists pronunciations found in the Pronouncing Dictionary of Proper Names (who knew that such a book existed?). Incidentally, Le Carre is actually the pseudonym of David John Moore Cornwell.
  • Contemporary novelist and short story author Dan Chaon is pronounced “Shawn.” So says my friend Edan, who was a student of his at Oberlin.
  • Pulitzer, as in the prize and newspaper magnate Joseph Pulitzer – Number 19 in the Pulitzer FAQ: “The correct pronunciation is ‘PULL it sir.'”

If anybody else has other ideas for hard to pronounce literary names, leave them in the comments and we’ll add them to the list. Meanwhile, here’s a bonus link. The BBC has launched a pronunciation blog (via LanguageHat).

Update: Some great suggestions are rolling in from the comments. Kyle’s got some classic problem names:

  • Donald Barthelme = “Bartle-may” not “Bar-THELM” as I had originally heard. Michael Silverblatt solved that one for me.
  • Michael Chabon = “SHAY-bun” not “Sha-BON” like my friend has said.
  • Thomas Pynchon = “PIN-chawn” not “PIN-shin” or “PIN-chin” etc. etc.

…and for kicks here are two German oldies that need some respect…

  • Rainer Maria Rilke = “RILL-kuh” not “RILL-kee”
  • and Johann Wolfgang Von Goethe = “GOO-tuh” not “GARE-tuh” like we smarmy Americans like to think it is. I have heard it as “GO-thee” and all kinds of botched up ways, but yesterday I asked a German woman who is a Lit. major and she straightened it out. Apparently, here in the states we overemphasize the umlaut to an R when it isn’t as harsh as that. [Bud contends that you don’t “ignore the r sound altogether in Goethe.” In Chicago, there is a Goethe Street in the Old Town neighborhood, which the locals apparently pronounce Go-EE-the, though I could never figure out if they were just pulling my leg. –Max]

Laurie adds Ngugi Wa’Thiong’O, the Kenyan author whose latest book Wizard of the Crow just came out and Eoin Colfer, neither of whose names I know how to pronounce. Any help? She also suggests Seamus Heaney, Nobel laureate, which The Traveller tells us is pronounced SHAY-mus HEE-knee.

Update 2: Some debate about Seamus Heaney in the comments, but this NY Times article seems to confirm it: “SHAY-muss HEE-nee”. Kyle, meanwhile, informs us that Eoin Colfer is pronounced “Owen”. My favorite unpronounceable book title, by the way, is James McCourt’s Mawrdew Czgowchwz, pronounced “Mar-dew Gorgeous”.

created The Millions and is its publisher. He and his family live in New Jersey.

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Long Live Fiction: A Guide to Fiction Online

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February 22, 2010 | 3 books mentioned 33 6 min read
1. Death is change. This is particularly true for abstract things that, by definition, can't die. So when someone of some repute pronounces the death of something abstract--of God, of art, of history, of poetry, of fiction--I'm quick to think like a serf cheering at the funeral of a king: X may be dead, but long live X. So it went with a recent Mother Jones article by Ted Genoways. Presiding like a priest over Fiction's sinking casket, a number of people in the literary world rushed to the scene as though it were a birth. The possibilities of online "comment" sections shined their brightest as writers and editors of some of the better fictional content on the Internet pronounced, with great clarity, that fiction isn't dead at all. It's changing, they said. Castigating and criticizing Genoways like any good town hall mob or meeting of minds, they built an insight that, in my mind, goes like this: Fiction is dead, long live Fiction. Literature is supposed to be a culture's conversation with itself. A way of telling the story of its time, its moment. It's a healthy and necessary thing, an authentic expression of the truth of the age. As a writer and student of literature and of this conversation, I went in search of the new fiction. I wanted to see its extent, the borders of its world. I wanted to do a little cartography to glimpse the map of our conversation with ourselves. And I found gobs and gobs of it. Voices upon voices upon voices. Blogs and journals and magazines, communities of writers and readers and editors all talking at the same time to everyone and therefore no one in particular. It was and continues to be overwhelming. In my search for the conversation, I didn't know who to listen to or why. I kept looking, keeping track of what I found as I went. Much of this fiction is short. That is, from 50-1000 words. I'm not sure why. Long fiction exists all over the Internet, but I don't see it surviving as well as shorter stuff. This could be because of the different kind of attention people pay to text on the Internet as opposed to text on the printed page. We might call this the Tab Effect. If I'm at my office working on the computer, I'll have at least three tabs open at the same time: The New York Times, Gmail, and something for work. I'll split my time between these, periodically reading, working, and chatting with friends or writing emails. While these periods of attention may vary, they usually don't last longer than 30 minutes. The long-story form doesn't survive this multi-task attention. It's basic evolutionary competition. With that in mind, what follows is an annotated list of a few of my favorite finds. These are places I've found during my search that I like for various reasons, sites notable for quality of design, content, and approach. Consider them a taste of the new fiction, places to start. 2. First, look Ben White's Nanoism. White is a medical school student in Austin who's developing the quality and presentation of twitter-sized fiction (140 characters or less). This isn't a new form of fiction: fragments have existed from Gilgamesh to Kafka. But now these small pieces of language have won a currency in our minute-to-minute lives, a chirping and ambient speech. Sites have come about to present these "litwits" (Escarp, Thaumatrope, Outshine, PicFic). The difference with White's stuff, both his own writing and the writing he publishes, is that in it you can see the litwit taking shape as a valid form, shaped by our technology, for getting at the truth. For more good editing, but of avant-garde and fantastical stuff, see Dream People. The writing I've found here is immaculate in its imagination, both dark and humorous. Anemone Sidecar also has good avant-garde prose/poetry/language stuff. Organized in unique chapters, these are lighter, more emotive and pastel-ish pieces presented in a very attractive way (sponsored by the ever-growing Ravenna Press). Robot Melon has a completely unpretentious design. I get an excellent vibration from them. No bells and whistles, just issues full of writing, each piece with a different solid, metallic background. The ancient problem of the throbbing ego is ever-present in online fiction, but RB seems to manage it (as does Sir! Magazine, which I found yesterday.) For lots of bells and whistles, but not necessarily ego, see two online writing communities: Fictionaut and Six Sentences. Each is under the auspices of another journal (the unstoppable and incredible Luna Park and the smaller but more town-like What Can You Say in Six Sentences, respectively). Each community provides the opportunity to share writing, read and comment on others' writing, and organizes the data therein by theme and length. These are like perpetual workshops that one may watch as they happen, like a surgery or a convention. There is good writing here, but also many other opportunities to communicate about writing. (Fictionaut is by invitation only, though I've joined 6S and made several friends). Bartleby Snopes is a no-nonsense, well-edited, straight ahead website for consistently good fiction. I'm impressed with their content, but maybe more so with their emphasis on editor-writer communication. Responses to submissions come within two weeks with personalized comments--a rare thing. For a somewhat small place with great editors and a silly, intrepid style, see Zygote in My Coffee. The issues flow like water with all manner of poems and stories--it's like going to that small coffee shop whose t-shirt you bought and wear all the time. You root for them. Though it's not a journal anymore per se, Eyeshot has created a unique approach to fiction's relationship to social justice. Email the editors of Eyeshot with a donation for earthquake relief in Haiti, and they'll thoroughly comment on your short story or poem. Everyone's looking for comments on their fiction. The world is full of problems. Eyeshot puts these two truths together. For more of what I'd call "pragmatic fiction," or fiction that works, see Greg McQueen's project 100 Stories for Haiti, The Zero Emissions Book Project, Bottom Dog Press, and this issue of The Short Review. I also think more conversation should occur between the literary and genre worlds of fiction. Images and fantasy are a part of storytelling, and each community would benefit from increased interaction with the other. Space Westerns is a reliable site that provides stories about exactly what its title says. Space Westerns. These are imaginative and indicative stories presented by a magazine that cares for its writers and readers. (See also Jason Sanford, Short Story Me, and Short, Fast, and Deadly.) Meanwhile, the famous comment of the Nobel committee-member about the insularity of literature in English in the US continues to be true. Here we've only mentioned literature written originally in English and not literature in translation from everywhere else in the world. To branch out to more world literature, see the St. Petersburg Review, The Barcelona Review, and Words Without Borders. I'd also like to take this opportunity to recognize all the purveyors of fiction that don't need recognition. The New Yorker, Harper's, McSweeney's, Esquire, etc.  There are also many literary magazines that have been around for years or decades that post fiction online. I know this list should continue with these other names, but I'm more interested for now in learning about what exists but isn't as well known. And furthermore, let all this be said with the obvious caveat: there's much much more out there. Every site has a list of links to other sites that have lists of links to other sites that have lists of links, etc. The above are merely good indications of different types that I've found. (For a growing list, see the site I curate, fictiondaily.org.) 3. If one were to make a map of this new world of fiction (and it's starting--see the Indie Publishing Wiki) the title of the map would have to be something like "The Thriving Life of Fiction." This is because fiction is flourishing in myriad directions. Though, to continue with the map metaphor, its capitals and governments are shifting power and location. What was once a strict monarchy is evolving more and more into a muscular democracy. Voices, speaking from all corners, are gaining legitimacy through their own emergent means as opposed to the upper crust of university journals and large publishing houses. This isn't a new shift: small zines and self-publishers have existed for decades (Chicago seems to have a penchant for tracking this: see Quimby's and the Chicago Underground Library). What's changing is access. I might read a short story in a magazine in Australia. Then I'll follow a link to a new journal that's just popped up in York, England. Then I'll read an author bio and find the author's blog, which has more of her writing and links to other magazines and the magazines and blogs of her friends in Nashville, New York, Portland, Austin, etc. The et cetera continues indefinitely. I find new places everyday. More and more and more writing. Like the political revolutions of the 17th and 18th centuries, the people are acting and felling old, crumbling giants of power in favor of their own voices, slowly bringing the system to the masses. And this is the hope of fiction: that it take an active role in our culture's conversation with itself. That citizens read and explore and question what it means to be a human being by reading the stories that their peers compose. In this sense fiction is very much alive, but in the mode of becoming. It's old forms may be dying, but in these small journals and blogs it's being born again. So I say, once more: Fiction is dead, long live Fiction. [Image credit: boo!berry]
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Ask a Book Question: The 52nd in a Series (Paris Reading)

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April 1, 2007 | 3 books mentioned 4 3 min read
Judy writes in looking for something to read on an upcoming trip abroad:I am going to Paris for a week in April. I want to read at least a couple novels set in Paris before I go. I want them to be contemporary (as in written recently) by a French author but translated into English. Any suggestions?I've read a number of novels set in Paris, and I've read some contemporary French fiction, but I can't recall having read any contemporary French fiction set in Paris. So, to help me find an answer to this one, I turned to the Complete Review, my favorite spot for learning about contemporary literature in translation. After pouring over the French language selections there, I came up with a few of possibilities, but I would encourage those with more knowledge in this area than me to please share some recommendations in the comments.Here's what I've got. Though not technically contemporary, the book that ended up at the top of my list was Raymond Queneau's Zazie in the Metro. Here's the book description: "Impish, foul-mouthed Zazie arrives in Paris from the country to stay with Gabriel, her female-impersonator uncle. All she really wants to do is ride the metro, but finding it shut because of a strike, Zazie looks for other means of amusement and is soon caught up in a comic adventure that becomes wilder and more manic by the minute." I thought this book would work well because it sounds like a light read and because the main character is a newcomer to Paris and thus will bring an outsider's point of view that may be appreciated by a visitor to the city. The Last Days, meanwhile, is a fictionalized tale of Queneau's own arrival in Paris from the countryside as a student in the 1920s. Queneau's The Flight of Icarus is set in Paris even further back, in the 1890s, and is about a French author, who has lost the main character of his book, Icarus, and is searching for him.Moving on to more recent books, Daniel Pennac's "Malaussene Saga" is a series of comic mystery novels set in the Belleville quarter of Paris and follows Benjamin Malaussene, a professional "scapegoat" who takes the blame for all sorts of problems. The books are quite popular and by all accounts very entertaining. Based on what I know about the series, I suspect the books would likely make good airplane reading. The five-book series begins with The Scapegoat and continues with The Fairy Gunmother, Write to Kill, Monsieur Malaussene, and Passion Fruit. If you are looking for a more serious thriller, Have Mercy on Us All by Fred Vargas may fit the bill. PW says, "A bestseller in France, Vargas's U.S. debut presents a riveting blend of biothriller and historical cryptology: it takes a close look at the threat of bubonic plague to modern-day Paris."Finally, perhaps you will want to delve into a novel that provides a picture of Paris that most visitors likely do not see, a book that takes on one of the main challenges facing France today, the influx of immigrants and the difficulties of integrating them into French society. The riots that erupted in the poor suburbs of France brought this issue to international attention last year. In Kiffe Kiffe Tomorrow Faiza Guene, whose parents were Algerian immigrants and who grew up in a housing project outside Paris, delivers a story set in those projects that follows a teenage girl named Doria. PW says of the book, "Throughout, the strictures of patriarchal Muslim culture clash with a nascent feminist freedom and Doria's exuberant, sophisticated teen talk. This small novel reads like a quiet celebration within a chaotic ghetto."If anyone can shed some additional light on these titles or has better suggestions, please share in the comments! Thanks for writing, Judy, and have a great trip!I should have also mentioned: Emre's recent post about some contemporary French fiction he read.
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The Prizewinners Revisited

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April 23, 2008 | 3 books mentioned 4 4 min read
A while back, I put together a post called "The Prizewinners," which asked what books had been decreed by the major book awards to be the "best" books over that period. These awards are arbitrary but just as a certain number of batting titles and MVPs might qualify a baseball player for consideration by the Hall of Fame, so too do awards nudge an author towards the "canon" and secure places on literature class reading lists in perpetuity.With two and a half years passed since I last performed this exercise, I thought it time to revisit it to see who is now climbing the list of prizewinners.Here is the methodology I laid out back in 2005:I wanted to include both American books and British books, as well as the English-language books from other countries that are eligible to win some of these awards. I started with the National Book Award and the Pulitzer from the American side and the Booker and Whitbread from the British side. Because I wanted the British books to "compete" with the American books, I also looked at a couple of awards that recognize books from both sides of the ocean, the National Book Critics Circle Awards and the International IMPAC Dublin Literary Award. The IMPAC is probably the weakest of all these, but since it is both more international and more populist than the other awards, I thought it added something. The glaring omission is the PEN/Faulkner, but it would have skewed everything too much in favor of the American books, so I left it out.I looked at these six awards from 1995 to the present awarding three points for winning an award and two points for an appearance on a shortlist or as a finalist. Here's the key that goes with the list: B=Booker Prize, C=National Book Critics Circle Award, I=International IMPAC Dublin Literary Award, N=National Book Award, P=Pulitzer Prize, W=Costa Book Award [formerly the Whitbread]bold=winner, **=New to the list since the original "Prizewinners" post11, 2003, The Known World by Edward P. Jones - C, I, N, P9, 2001, The Corrections by Jonathan Franzen - C, I, N, P8, 1997, Underworld by Don DeLillio - C, I, N, P7, 2005, The March by E.L. Doctorow - C, N, P **7, 2004, Line of Beauty by Alan Hollinghurst - B, C, W7, 2002, Middlesex by Jeffrey Eugenides - I, N, P7, 2001, Atonement by Ian McEwan - B, N, W7, 1998, The Hours by Michael Cunningham - C, I, P7, 1997, Last Orders by Graham Swift - B, I, W7, 1997, Quarantine by Jim Crace - B, I, W6, 2007, The Brief Wondrous Life of Oscar Wao by Junot Díaz - C, P **6, 2005, The Inheritance of Loss by Kiran Desai - B, C **6, 2004, Gilead by Marilynn Robinson - B, P5, 2007, Tree of Smoke by Denis Johnson - N, P **5, 2006, The Road by Cormac McCarthy - C, P **5, 2006, The Echo Maker by Richard Powers - N, P **5, 2005, Europe Central by William T. Vollmann - C, N **5, 2005, The Accidental by Ali Smith - B, W **5, 2004, The Master by Colm Toibin - B, I **5, 2003, The Great Fire by Shirley Hazzard - I, N5, 2001, True History of the Kelly Gang by Peter Carey - B, I5, 2000, The Amazing Adventures of Kavalier and Clay by Michael Chabon - C, P5, 2000, The Blind Assassin by Margaret Atwood - B, I5, 1999, Waiting by Ha Jin - N, P5, 1999, Disgrace by J.M. Coetzee - B, C5, 1999, Being Dead by Jim Crace - C, W5, 1998, Charming Billy by Alice McDermott - I, N5, 1997, American Pastoral by Philip Roth - C, P5, 1996, Every Man for Himself by Beryl Bainbridge - B, W5, 1996, Martin Dressler: The Tale of an American Dreamer by Steven Millhauser - N, P5, 1995, The Moor's Last Sigh by Salman Rushdie - B, W5, 1995, The Ghost Road by Pat Barker - B, W5, 1995, Independence Day by Richard Ford - C, P5, 1995, Sabbath's Theater by Philip Roth - N, P4, 2005, Veronica by Mary Gaitskill - C, N **4, 2005, Arthur and George by Julian Barnes - B, I **4, 2005, A Long, Long Way by Sebastian Barry - B, I **4, 2005, Never Let Me Go by Kazuo Ishiguro - B, C **4, 2005, Shalimar the Clown by Salman Rushdie - I, W **4, 2004, Cloud Atlas by David Mitchell - B, C4, 2003, Brick Lane by Monica Ali - B, C4, 2003, Bitter Fruit by Achmat Dangor - B, I4, 2003, The Good Doctor by Damon Galgut - B, I4, 2003, Evidence of Things Unseen by Marianne Wiggins - N, P4, 2002, Family Matters by Rohinton Mistry - B, I4, 2002, The Story of Lucy Gault by William Trevor - B, W4, 2001, A Fine Balance by Rohinton Mistry - B, I4, 2001, Bel Canto by Ann Patchett - I, N4, 2001, John Henry Days by Colson Whitehead - N, P4, 2001, Oxygen by Andrew Miller - B, W4, 2000, The Keepers of Truth by Michael Collins - B, I4, 2000, When We Were Orphans by Kazuo Ishiguro - B, W4, 2000, Blonde by Joyce Carol Oates - N, P4, 1999, Our Fathers by Andrew O'Hagan - B, I4, 1999, Headlong by Michael Frayn - B, W4, 1999, The Blackwater Lightship by Colm Toibin - B, I4, 1997, Autobiography of My Mother by Jamaica Kincaid - C, I4, 1997, Grace Notes by Bernard MacLaverty - B, W4, 1997, Enduring Love by Ian McEwan - I, W4, 1997, The Puttermesser Papers by Cynthia Ozick - I, N4, 1996, Alias Grace by Margaret Atwood - B, I4, 1995, In Every Face I Meet by Justin Cartwright - B, W
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94 comments:

  1. Barthelme = "Bartle-may" not "Bar-THELM" as I had originally heard. Michael Silverblatt solved that one for me.
    Chabon = "SHAY-bun" not "Sha-BON" like my friend has said.
    Ummm…oh..
    Pynchon = "PIN-chawn" not "PIN-shin" or "PIN-chin" etc. etc.
    …and for kicks here are two German oldies that need some respect…
    Rilke = "RILL-kuh" not "RILL-kee"
    and
    Goethe = "GOO-tuh" not "GARE-tuh" like we smarmy Americans like to think it is. I have heard it as "GO-thee" and all kinds of botched up ways, but yesterday I asked a German woman who is a Lit. major and she straightened it out. Apparently, here in the states we overemphasize the umlaut to an R when it isn't as harsh as that. So I am told. Anyway. Those are a few. If I think of more I will post them.

    Kyle Winkler.

  2. Ngugi Wa'Thiong'O, Kenyan author whose latest book "Wizard of the Crow" just came out this month.

    Seamus Heaney, nobel laureate.

    Eoin Colfer, children's author.

  3. The "G" in W.G. Sebald stands for Georg (no e). I think that's pronounced something like Gayorg (hard Es). What thinks ye, Mr. Max?

    Also, don't think you ignore the r sound altogether in Goethe

  4. I agree on Ngugi Wa'Thiong'o – I am afraid to even say his name out loud.

    Seamus Heaney is pronounced SHAY-mus HEE-knee.

  5. Eoin = "Owen"
    And I have always heard Heaney pronounced
    "HAY-nee" even by many Irish people, when I visited.
    I can't help with the African name, although I will try to find someone who can.
    And that's interesting about that Chicago street name…

    Kyle

  6. This was a fun excuse to Google curious sources such as the BBC Pronunciation Unit blog. More Chicago lore: Buildings in the Carl Sandburg Village condo complex are named for James, Faulkner, Alcott, Cummings and other authors. Tell the cabbie, "Clark and GO-thee."

  7. Bud: I think I'll just stick with "WG" so as not to worry about such things.

    Steve: I always wondered about that Carl Sandburg Village but never knew that the buildings are named after literary greats… Perhaps I can do a little research and put together a post on the place.

  8. I guess I should pitch in a bit as well.

    Isn't Rainer Maria Rilke's first name pronounced oddly as well: RYE-ner, not RAY-ner?

  13. "
    Goethe = "GOO-tuh" not "GARE-tuh" like we smarmy Americans like to think it is. I have heard it as "GO-thee" and all kinds of botched up ways, but yesterday I asked a German woman who is a Lit. major and she straightened it out. Apparently, here in the states we overemphasize the umlaut to an R when it isn't as harsh as that. So I am told. Anyway. Those are a few. If I think of more I will post them."

    This isn't really correct. You don't pronounce it GOO, like sticky stuff, tuh.
    It is a more gutteral sound, but if you need to simplify the pronunciation "GUH-tuh" would be closer than "GOO-tuh"

  14. Vladimir Nabokov: Vla-DEEM-eer Nuh-BOCK-off. Not NAB-uh-kov, like in The Police's "Don't Stand So Close To Me."

  15. Also, P.G. Wodehouse is WOOD-house. It doesn't rhyme with Patrick Swayze's greatest accomplishment, Roadhouse.

  17. how do you say Cervantes? and whats the correct way to say Don Quixote?

    is it Don 'KEE-OH-TEE' or 'QUICKS-OTT'

    theres a word in English, Quixotic, which is pronounced 'QUICKS-OTIC'

  19. I saw Ngugi wa Thiong'o last week at the Edinburgh Book Festival – I'm not much good at phonetic spelling but his name seems to be pronounced un-goo-gee wah thee-ong-go (hard 'g'in Ngugi, and actually a cross between 'in' and 'un' for the first syllable).
    He was a great speaker – terribly articulate in English but a terribly thick accent; I'm quite sure, unfortunately, that I missed some parts of his talk.

  20. don quixote is pronounced: don kee-HO-tay

    maud, i've heard ngugi's pronounced similarly: en-goo-gee wa-thyon-go

  24. OO ELL BEK, but it'll sound like "WEL BEK" to most English speakers because the "OO ELL" is pronounced so quickly.

    (The H is silent, and "ou" in French is like English "oo".)

  25. Michael Critchon–I was told is pronounced CRY ton.

    Great info! Thanks!

    Lynne AKA The Wicked Witch of Publishing

  26. I'm a librarian… the most mispronounced author name I hear is Annie Proulx.

    Proulx, according to my French friends is a very very very old spelling. The "l" and the "x" are both silent. You pronounce it PROO (rhymes with "new".

    Don Quixote in SPANISH is pronounced Don Kee-HOH'-teh. The "Don" rhymes with "Tone." I think the other pronunciations derived from French people mis-pronouncing the name. Americans needn't be too ashamed of how we mispronounce foreign words. Have you heard the BBC reporters say "Nicaragua"? Ha! It's a hoot. They say "Nick-uh-RAG-yoo-ah." It is properly pronounced more like "Nee-ka-ra'-wa."

  28. Don Quixote: above poster (hephaestion) is correct. And yes, quixotic is derived from his name, pronounced quiks-OD-ik, as Spanish already has its own "quijotesco" (kee-ho-TES-ko).

    Cervantes: ser-VAN-tes. ser has soft "r", almost like "sed", van not like the vehicle, like "yawn", and tes as in "test", omitting the last "t".

  30. The guy got Nabokov's first name right, but in interviews he has said the "bok" rhymes with "smoke" and the "ov" rhymes with "of." He also said once the "bok" rhymes with "gawk," which I think is only correct if you're thinking of a British pronunciation of the word (which I think would then rhyme with "smoke" only with more of a curl in it, making the pronunciation more Russian-sounding, if that makes sense).
    I would transcribe it something like–Nuh-bowk-of.

  31. concerning matthew kneale, author of ENGLISH PASSENGERS. Is the correct pronunciation neil oder neilè, which I seem to remember to have picked up somewhere. Thanks

  33. DON QUIXOTE…. In the period in which the story was written the 'X' would have been pronounced like 'SH'. So, actually, you would say "kee-sho-tee". Modern Spanish is where "kee-ho-tee" comes from and "kwiks-ott" is pretty laughable (although it has been used for ages).

  37. Actually, the suggestions are almost right, except that the "ng" in Thiong'o should be a soft "ng" like in "sing". "Ngugi" should be pronounced with just an "n" sound, not an "un", before the "goo gee". If you can't manage that, then start with the "ng" in "sing" and go from there to the hard g sound. Also, my understanding is that in Gikuyu his name would have short vowels where there are ~ marks, such that u would rhyme with "good", etc., but the long-vowel pronounciation is so common in the States I'm sure he's used to it.

  40. I have lived in Old Town in Chicago for 13 years and everyone I know pronounces Goethe as Guer-tuh, which may be the smarmy American way, however I have never heard it botched to the point of Go-EE-the.

  41. I am new, I stumbled upon this site by chance when I was researching the proper pronunciation of various literary names. I am not sure if it has already been noted or not, but I also found a site called http://www.howjsay.com. It is a website that has a collection of over 2,000 English words (including authors, and commonly used phrases). All you do is type in the author name(i.e.; Albert Camus) and the pronunciation is given. (I read that the pronunciation is researched from a collection of various dictionaries, and other sources). I hope this helps.. or at least you find the site interesting. :) thanks.

  42. John Proulx, Jazz Singer & Pianist is always mispronounced. It is pronounced "Proo" Like "Shoe". Some people have called him John Prowl like the "Owl" This is incorrect. Thank you

  44. Bless you!! I love this site. Annie Proulx is one of my favorite authors, but I'm always afraid to say her name out loud. (I have been saying it correctly- thanks to my junior high school French.)

  46. I have been trying to find out how to pronounce robert L Cvornyek’s name and also Elliot Cuff and also Prince Vuyani Ntintili. If any one can help me out thak you. I dont have an e mail of my own but i would appreciate it if some one would call me back at 1-240-603-9284 with the pronounciation of these words please and th ank you.

  48. According to my African Literature professor, whose “The River Between” we just read and knows him personally and speaks Kikuyu/Gikuyu, Ngugi wa Thiang’o is pronounced, “NYOO-gee (hard g) wah TEE-ongo”.

  49. It’s not “GOO-tuh”, and I’m not saying your German lit professor was wrong, I’m saying you misheard some subtleties or you did not correctly phonetically spell it out. Pronouncing the German “oe” or umlaut is very hard for some Americans. There is still an ‘R’ there it just gets kind of swallowed by the preceding noise, we just don’t recognize it, and trying to explain how it’s not GOO is kind of difficult, check out Wikipedia’s entry for Goethe and click the “listen” function to the right of his name.

  51. Answering my own question:
    According to a 1997 interview with Robert Crais in the Baltimore Sun, his name is pronounced like “face.”

  52. How do I pronounce Louis de Bernières? I get Louis = Loo-ey, but the surname?

    I need it for a wedding I’m doing on Saturday – the couple has chosen a reading from Captain Corelli’s Mandolin

    Thanks
    Anita

  53. Pingback: How to Pronounce Unpronounceable Author Names – The Blogs at HowStuffWorks

  55. I’d love to kow the correct pronunciation of Don DeLillo’s last name. Is it actually “duh-LIL-lo” as I’ve heard?

  57. Goethe: ‘GOO-tuh’ is completely wrong. Anonymous 25 August 2006 is right. The Germans pronounce him ‘GER-tuh’.

  59. If you live on the Westbank in New Orleans and happen to live on Socrates Street, the pronunciation there is So-Crats. See the wonderful book, “Frenchmen, Desire, Good Children”- these are all street names.

  60. Thanks for this valuable list. To tweak one of the additions: Chabon is actually “SHAY-bon” not “SHAY-bun” (he’s helpfully described it as Shay as in Shea Stadium, Bon as in Bon Jovi).

  61. Pingback: Literary Names and How to Pronunce Them - World Literature Forum

  63. Yeah, I can confirm that in Chicago I’ve never once heard Goethe pronounced anything than “Gerta.”

    To the people arguing that “No, it’s GER-tuh” “No, it’s GOO-tuh” – I’m pretty sure it’s neither. The umlaut is a sound that most americans don’t know how to pronounce, so it more like something in between the two. So American though of us to only be able to think of it in American terms.

  64. Pingback: How Do You Pronounce That Writer’s Name? « BIG OTHER
  65. Pingback: How Do You Pronounce That Writer’s Name? « BIG OTHER

  66. It is frustrating when authors like Paul Theroux mispronounce their own last name… Thor-EW?

    Maybe he should visit French Canada (Quebec) and see how the 99% of the Theroux’s there (some of whom are probably related to him) PROPERLY pronounce it.

    I swear that some authors just like to be difficult.

  67. The pronunciation for the last name Barthelme is exactly how it is spelled .
    Barth-el -me. Nothing fancy as you can see it is my last name and people try to make it sound more glorious than it is .

  68. Merriam Webster lists the pronunciation of Mr. Pynchon’s name as “\ˈpin-chən\.” I’m inclined to trust Merriam rather than themillions.com, barring any further evidence.

  69. I once had an embarrassing experience pronouncing ‘Goethe’ as ‘Go-ETH’ in front of my English class – in my defence I’d never said it out loud before..and it sounded fine in my head! So to avoid this in the future – does anyone know the definitive pronunciation of ‘Chinua Achebe’?

  70. Quick note about Don Quixote. The use of ‘kwicks ote’, though harsh to our ears, was the pronunciation used when the story appeared in England. It’s incorrect in light of Spanish, but for anyone reading the English translation who wants to speak of the text in its initial, serial form, ‘kwicks ote’ is the way to go. A holdover from this is in the word quixotic.

  71. What about Jodi Picoult? I’ve heard “pi-COLT,” and “pee-COO,”
    but I think it’s “pi-COE.”

  72. So now I need to know. How is Mahala pronounced? I found this in my genealogy and thought it was either ‘muh hall uh’ or ‘muh hay la’ but wasn’t quite sure. And is Mahalia Jackson’s name pronounced the same or different?

  74. How do you pronounce John Lescroart’s last name. We work in a public library and we want to pronounce author’s names correctly.

    We really enjoy this site.

  75. I’ve heard that “Mainwaring” (as in the Barbara Pym character) is pronounced “Mannering.”

  78. I’m bilingual, English/German. Goethe is tricky for Americans especially. “Gerta” or “Girtuh” are close, but don’t pronounce the “r” sound! Like in British “posh” English, the word “girl” sounds more like “gull” , but lengthened and very slightly nasalised.

  79. Great discussion! Please forgive a non-author related question, but I’ve seen many Dutch names that begin with ” ‘t “. Anyone have any idea how to pronounce this?

  80. I see the name Alcott at the top of the list. In Concord, Massachusetts, where she lived, Louisa May Alcott’s surname is pronounced AWL-cut, not AL-cot, like the tennis player’s.

  81. The g’s in Borges’ name are phlegm-ish. Just FYI. Not pure “H” sounds. Closer to a Dutch g but not quite so “cough up a hairball” as that. All due respect to Dutch speakers (I’m a huge BLØF fan).

    Fun stuff. I struggle with the names of some of my favorite authors all the time.

  83. English uses the diaeresis mark (the double dot) in words such as naïve to tell you that the vowels do not form a dipthong but are to be pronounced separately. I think it’s the same with Anaïs. My guess is a-NAY-is.
    Mostly the mark is dropped now; e.g. it used to be commonly used for daïs, and Zoë, and so on.

  84. The Chicago street is & always has been pronounced “Go-thee”!
    A few people did say “Go-Ee-Thee”, but they were a rarity.
    What’s totally absurd is the automated voice on buses here says “Gare-ta” with the next stop being Burton, both sound similar.
    The only reason the bus is “Gare-ta”, is that the previous head of the Chicago Transit Authority was of German descent & demanded that pronunciation.
    But no one here says that, just as we pronounce “Buena St.” as “Bew-enn-a”!

  86. C. Max McGee and Michelle Barthelme:

    I would never presume to tell anyone how to pronounce his or her name. However, I will say that Michael Silverblatt doesn’t pronounce it Bartle-may OR Barth-el-may. He pronounces it Barth-el-mee. Check out his interview with Dave Eggers here, minute 7:07. And as he says, Donald Barthelme was his friend and mentor, so he’d probably know:
    http://www.kcrw.com/etc/programs/bw/bw050210dave_eggers

  87. Thor-ew for “Thereux”? I know it’s still an Americanized pronunciation, but where are they getting the “o”? Plus, in French names, syllables do not end in consonants. I don’t know if there’s meant to be an accent there, but if there is, in French it would be tay-roo; if not; teh-roo. The Americanized version would be the-roo, (soft th) not tho-roo.

  88. How do you pronounce David Baldacci?
    I’ve heard both Baldachee as well as Baldakee and I don’t which is right.

  89. Where are you getting an “o” sound in Thereux? In French it would be Théreux, which sounds like tay-RUH (where the “uh” sound is like the u in “put.” The Americanized version would be more like thuh- (th sound as in “thistle) ruh (same “u” as in”put” or thuh-ROO. Not tho-roo.

  90. The childrens’ author Rick Riordan. The surname is pronounced Ryer-dan and not Rhee-or-dan as I once thought.

    Great post!

  92. Henry David Theroux. Kinfolk and followers near Walden Pond say THOR-oh. Most Americans say Tha-ROH.

  93. Ngugi Wa Thiong’o’s name is pronounced NGOO-gee (the NG is the same as it is in anger, and the second part is the same as ghee) WAH Thee-ong-oh (the TH as it is in ‘this’, and the ng is a soft one, as in bang).

    There is no “IN” as suggested by Judson. I should know, I’m Kenyan

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From the Newsstand Lists Notable Articles

The Franzen Cover and a Brief History of Time

From the Newsstand Lists Notable Articles
August 16, 2010 | 3 books mentioned 17 9 min read
Jonathan Franzen occupies the cover of this week's Time, and, as the magazine will happily point out, he's the first novelist to do so in "more than a decade." The Franzen cover---and the Franzen headline: "Great American Novelist"---is a pretty transparent bit of attention-mongering. After all, Franzen's predecessor, Stephen King, got only one paragraph in his cover story, and Time profiled Franzen only four years ago. (Both Franzen stories include lots of bird watching and Lev Grossman.) Still, Time could use a boost as much as literature, and it's hard to fault the magazine. In fact, its choice of Franzen provides an opportunity to look back at Time's long history as literary arbiter and evangelist. In The Powers That Be, David Halberstam writes that Time impresario Henry Luce had a powerful sense of what people should read, what was good for them to read, and an essential belief worthy of the best journalist, that any subject of importance could be made interesting. Thus the cover story, the personalizing of issues so that a lay reader could become more interested and more involved in serious reading matter. This same impulse seems to be at work in Time's Franzen cover. (Under the headline it reads: "His characters don't solve mysteries, have magical powers or live in the future.") Franzen himself has remarked on it. In his famous Harper's essay "Perchance to Dream," he writes that "my father, who was not a reader, nevertheless had some acquaintance with James Baldwin and John Cheever, because Time magazine put them on its cover." Franzen ends up arguing that a shift in Time's cover choices—from James Joyce to Scott Turow—offers more proof of America's cultural decline. But just about every interaction between Time and a literary type has been characterized by a waffling between reaching out and selling out that, today, we'd describe as Franzean. Two favorite examples: When Bennett Cerf tried to convince William Faulkner to do a second Time cover, 15 years after his first, Faulkner asked for an estimate on how much it would add to Random House's bottom line so that he could simply reimburse the publisher. In The Prisoner of Sex, Norman Mailer---who seems to have married Jeanne Campbell, Luce's former mistress, for revenge as much as for love---recalls Time's offer of "a cover story on the author's reactions to the most prominent phenomenon of the summer season: the extraordinary surge of interest in Women's Liberation." Despite having a movie to promote, Mailer decides that "only a fool would throw serious remarks into the hopper at Time." In 1923, Joseph Conrad appeared on Time's first bookish cover and its sixth overall. The story began: Joseph Conrad, rover of the seven seas, has never set foot in the United States. Now he is coming. At about the end of this month the man who holds probably the most exalted position in contemporary English letters is to arrive here for a visit which it is hoped will last through May. And that's about it. Conrad's entire cover story ran only 425 words, a standard length for early Time articles, and this first batch of literary covers were mostly linked to reviews. Thanks to the magazine's short and punchy house style, these reviews always managed to include some biographical information. (The section on "The Author" came right after the one on "The Significance.") By the 1930s, though, you could see a formula beginning to set -- a personalized opening, a capsule biography, some detailed description (Willa Cather "looks and talks like a kindly, sensible Middle-Western housewife, stout, low-heeled, good at marketing and mending"), and, above all, a few kind words about the author's latest. Given Time's practice of deploying multiple reporters, these profiles were often the most thorough or invasive of their time. (The J. D. Salinger cover story is a good example of this.) Given Time's goal of reaching the broadest possible audience, these profiles also turned their subjects into rather flat characters: Cather the housewife, Hemingway the hunter, and so on. The other thing to say about Time's audience is that, from the beginning, the magazine has paid attention to lowbrow lit. Its cover story on E. Phillips Oppenheim praises his "light fiction" and opens with a mutually flattering comparison to Henry Ford, and this is one of many such examples. In fact, after surveying its literary history, I'm more surprised that Time hasn't put Dan Brown or Stephanie Meyer on its cover than that Jonathan Franzen made the cut. (Time did put Harry Potter on its cover for what was essentially a profile of J. K. Rowling.) Below, you too can survey this history through links to the covers and cover stories for each of Time's literary stars. Read them to chuckle at the magazine's weakness for hype (Robinson Jeffers is someone "a considerable public now considers the most impressive poet the U. S. has yet produced"). Read them to get a contemporary perspective on some historical figures (though don't expect the best and the brightest: Lillian Ross's New Yorker profile of Hemingway, for example, is much better than Time's). Read them to marvel at Time's uncanny ability to feature the best writers' worst books. Most of all, read them to watch how this red-bordered cultural institution ferries between the high and the low. The Virginia Woolf cover story is especially good at this, but all of them do it to one degree or another. Even Jonathan Franzen's. Methods Time put 14 authors on its cover in the 1920s, 23 in the 1930s, seven in the 1940s, 11 in the 1950s, 10 in the 1960s, eight in the 1970s, four in the 1980s, four in the 1990s, one in the 2000s, and, now, Franzen in 2010. That adds up to an objective-sounding 83, but I should explain my principles in compiling this list. While Time also likes to revive dead authors---Faulkner, for example, submitted to that second cover in 1964, two years after his death---I included only living authors who wrote primarily imaginative work: novels, plays, or poetry. These criteria still left room for some judgment calls---William Allen White did not make the list because he's better known for his politics and his newspapering (and because White's cover story focuses on his Kansas gubernatorial campaign), but I kept Upton Sinclair and the cover story on his California gubernatorial campaign. Feel free to dispute my choices or to add anyone I missed in the comments. Each entry includes the author's name and, where applicable, the name of the work that prompted the profile. There are also links to a print-friendly version of the cover story and to an image of the cover itself. In fact, thanks to Time's new paywall, the Franzen cover story is the only one you can't read online. The List 1920-1929 Joseph Conrad. "A Great Novelist to Visit the United States." April 7, 1923. Cover image. Israel Zangwill. "Imaginary Interviews: Israel Zangwill, Englishman of Letters." September 17, 1923. Cover image. George Bernard Shaw / Saint Joan. "Saint Joan." December 24, 1923. Cover image. Eugene O'Neill / All God's Chillun Got Wings. "All God's Chillun." March 17, 1924. Cover image. Amy Lowell / John Keats. "Miss Lowell Eulogizes, Analyzes, Forgives the Poet." March 2, 1925. Cover image. Booth Tarkington / Women. "Mr. Tarkington's Ladies." December 21, 1925. Cover image. H. G. Wells / The World of William Clissold. "Wells, Wells, Wells." September 20, 1926. Cover image. Rudyard Kipling / Debits and Credits. "Loud Kipling." September 27, 1926. Cover image. Sinclair Lewis / Elmer Gantry. "Bible Boar." March 14, 1927. Cover image. Michael Arlen / Young Men in Love. "Mayfairian." May 2, 1927. Cover image. E. Phillips Oppenheim / Miss Brown of X. Y. O.. "Number 100." September 12, 1927. Cover image. Eugene O'Neill / Strange Interlude. "New Plays in Manhattan." February 13, 1928. Cover image. Edgar Wallace / People. "Master of Mass." April 15, 1929. Cover image. Robert Bridges / The Testament of Beauty. "Laureate Testifies." December 2, 1929. Cover image. 1930-1939 Willa Cather / Shadows on the Rock. "Amen, Sinner." August 3, 1931. Cover image. Eugene O'Neill / Mourning Becomes Electra. "Greece in New England." November 2, 1931. Cover image. Philip Barry / The Animal Kingdom. "Angel Like Lindbergh." January 25, 1932. Cover image. Robinson Jeffers / Thurso's Landing and Other Poems. "Harrowed Marrow." April 4, 1932. Cover image. T. E. Lawrence / The Odyssey [trans.]. "Scholar-Warrior." November 28, 1932. Cover image. Noel Coward / Design for Living. "First Englishman." January 30, 1933. Cover image. Gertrude Stein / The Autobiography of Alice B. Toklas. "Stem's Way." September 11, 1933. Cover image. James Joyce / Ulysses. "Ulysses Lands." January 29, 1934. Cover image. Thomas Mann / Joseph and his Brothers. "Great Mann." June 11, 1934. Cover image. Upton Sinclair. "California Climax." October 24, 1934. Cover image. Maxwell Anderson / Valley Forge. "Washington, by Anderson." December 10, 1934. Cover image. Kathleen Norris / Woman in Love. "Golden Honeymoon." January 28, 1935. Cover image. John Buchan. "Canada's New Governor General." October 21, 1935. Cover image. George Santayana / The Last Puritan. "Philosophic Footballer." February 3, 1936. Cover image. John Dos Passos / U.S.A. trilogy. "Private Historian." August 10, 1936. Cover image. Virginia Woolf / The Years. "How Time Passes." April 12, 1937. Cover image. Sidney Howard. "Meat Show Meeting." June 7, 1937. Cover image. Ernest Hemingway / To Have and To Have Not. "All Stones End . . . ." October 18, 1937. Cover image. Holger Cahill. "In the Business District." September 5, 1938. Cover image. Andre Malraux / Man's Hope. "News From Spain." November 7, 1938. Cover image. William Faulkner / The Wild Palms. "When the Dam Breaks." January 23, 1939. Cover image. James Joyce / Finnegans Wake. "Night Thoughts." May 8, 1939. Cover image. Carl Sandburg / Abraham Lincoln: The War Years. "Your Obt. Servt." December 4, 1939. Cover image. 1940-1949 Kenneth Roberts / Oliver Wiswell. "Angry Man's Romance." November 25, 1940. Cover image. Sinclair Lewis / Cass Timberlane. "Laureate of the Booboisie." October 8, 1945. Cover image. Craig Rice. "Mulled Murder, with Spice." January 28, 1946. Cover image. Eugene O'Neill / The Iceman Cometh. "The Ordeal of Eugene O'Neill." October 21, 1946. Cover image. C. S. Lewis / The Screwtape Letters. "Don v. Devil." September 8, 1947. Cover image. Rebecca West / The Meaning of Treason. "Circles of Perdition." December 8, 1947. Cover image. John P. Marquand / Point of No Return. "Spruce Street Boy." March 7, 1949. Cover image. 1950-1959 T. S. Eliot / The Cocktail Party. "Mr. Eliot." March 6, 1950. Cover image. Robert Frost. "Pawky Poet." October 9, 1950. Cover image. James Thurber. "Priceless Gift of Laughter." July 9, 1951. Cover image. Graham Greene / The End of the Affair. "Shocker." October 29, 1951. Cover image. Joyce Carey / Prisoner of Grace. "Cheerful Protestant." October 20, 1952. Cover image. Thorton Wilder. "An Obliging Man." January 12, 1953. Cover image. Ernest Hemingway. "An American Storyteller." December 13, 1954. Cover image. Andre Malraux. "Man's Quest." July 18, 1955. Cover image. Herman Wouk / Marjorie Morningstar. "The Wouk Mutiny." September 5, 1955. Cover image. James Gould Cozzens / By Love Possessed. "The Hermit of Lambertville." September 2, 1957. Cover image. Boris Pasternak / Doctor Zhivago. "The Passion of Yurii Zhivago." December 15, 1958. Cover image. 1960-1969 J. D. Salinger / Franny and Zooey. "Sonny." September 15, 1961. Cover image. Tennessee Williams / The Night of the Iguana. "The Angel of the Odd." March 9, 1962. Cover image. Evgeny Evtushenko. "A Longing for Truth." April 13, 1962. Cover image. James Baldwin / The Fire Next Time. "The Root of the Negro Problem." May 7, 1963. Cover image. John Cheever / The Wapshot Scandal. "Ovid in Ossining." March 27, 1964. Cover image. Phyllis McGinley. "The Telltale Heart." June 18, 1965. Cover image. Robert Lowell. "The Second Chance." June 2, 1967. Cover image. John Updike / Couples. "View from the Catacombs." April 26, 1968. Cover image. Alexander Solzhenitsyn / In The First Circle. "The Writer as Russia's Conscience Headline." September 27, 1968. Cover image. Vladimir Nabokov / Ada, or Ardor: A Family Chronicle. "Prospero's Progress." May 23, 1969. Cover image. 1970-1979 Gunter Grass / Local Anaesthetic. "The Dentist's Chair as an Allegory in Life." April 13, 1970. Cover image. Richard Bach / Jonathan Livingston Seagull. "It's a Bird! It's a Dream! It's Supergull!" November 13, 1972. Cover image. Norman Mailer / Marilyn. "Two Myths Converge: NM Discovers MM." July 16, 1973. Cover image. Alexander Solzhenitsyn / The Gulag Archipelago. "An Artist Becomes an Exile." February 25, 1974. Cover image. Gore Vidal / 1876. "Laughing Cassandra." March 1, 1976. Cover image. Alex Haley / Roots. "Why 'Roots' Hit Home." February 14, 1977. Cover image. John Le Carre / The Honourable Schoolboy. "The Spy Who Came in for the Gold." October 3, 1977. Cover image. Mario Puzo / Fools Die. "Paperback Godfather." August 28, 1978. Cover image. 1980-1989 John Irving / The Hotel New Hampshire. "Life Into Art." August 31, 1981. Cover image. John Updike / Bech is Back. "Perennial Promises Kept." October 18, 1982. Cover image. Garrison Keillor / Lake Wobegon Days. "Lonesome Whistle Blowing." November 4, 1985. Cover image. Stephen King / It. "King of Horror." October 6, 1986. Cover image. 1990-1999 Scott Turow / Burden of Proof. "Burden of Success." June 11, 1990. Cover image. Michael Crichton / The Lost World. "Meet Mr. Wizard." September 25, 1995. Cover image. Toni Morrison / Paradise. "Paradise Found." January 19, 1998. Cover image. Tom Wolfe / A Man in Full. "Tom Wolfe Writes Again." November 2, 1998. Cover image. 2000-2009 Stephen King / "Riding the Bullet." "Everyone's A Star.com." March 27, 2000. Cover image. 2010 Jonathan Franzen / Freedom. "Great American Novelist." August 23, 2010. Cover image.
From the Newsstand Lists Notable Articles
| 3 books mentioned 17 9 min read
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