If you haven’t already checked it out, there’s a great discussion of the latest LBC pick, Television by Jean-Philippe Toussaint, going on at the LBC site. I added my two cents today with a post called The Slacker Hero.
Counterpoint is rereleasing a collection of Donald Barthelme tidbits (it’s subtitled “Satires, Parodies, Fables, Illustrated Stories, and Plays”), The Teachings of Don B.. The collection is perhaps most notable in that it contains an introduction by Thomas Pynchon. I’m fairly certain it’s the same essay by Pynchon that’s found here. It begins:Though to all appearances a gathering of odds and ends, what this volume in fact offers us is the full spectrum of vintage Barthelmismo — fictions thoughtfully concocted and comfortably beyond the reach of time, reactions less exempt from deadlines and rent payments to news of past moments that nonetheless remain our own, not to mention literary send-ups, intriguing recipes, magisterially extended metaphors, television programming that never was, strangely illuminated dreams, elegant ranting, debonair raving, and more, much more.Now that’s a blurb.
Most folks probably know that Pulitzer-winning Kavalier & Clay author Michael Chabon had a hand in penning the script of this summer’s blockbuster movie, Spiderman 2. It turns out he’s been working on some books, too. As is mentioned in this article, keep your eyes open for a new novella in the Sherlock Holmes vein coming out this November. It’s called The Final Solution: A Story of Detection. He’ll also be editing another installment of the McSweeney’s “Thrilling Tales” series entitled McSweeney’s Enchanted Chamber of Astonishing Stories. Finally, in the more distant future look for a new full-length novel. “The Yiddish Policemen’s Union is set in a parallel world in which the Jewish homeland was set up in Alaska rather than Israel, something that president Franklin D. Roosevelt considered during World War II.” Happy Labor Day!Update: The Yiddish Policemen’s Union
Kurt Vonnegut fans will be interested to know that a collection of previously unpublished non-fiction is set to be published by Penguin in April, a year after his death. From the catalog:Armageddon in Retrospect is a collection of twelve new and unpublished writings on war and peace. Written with Vonnegut’s trademark rueful humor, the pieces range from a visceral nonfiction recollection of the destruction of Dresden during World War II – a piece that is as timely today as it was then – to a painfully funny story about three privates and their fantasies of the perfect first meal upon returning home from war; to a darker and more poignant story about the impossibility of shielding our children from the temptations of violence. This is a volume that says as much about the times in which we live as it does about the genius of the man who wrote it. Also included here is Vonnegut’s last speech, as well as an assortment of his drawings, and an introduction by the author’s son, Mark Vonnegut.I’m also told that Mark Vonnegut’s introduction, “sheds some light on their family life and Kurt’s writing habits.”
There are dozens collections of New Yorker cartoons available, and all of the will serve you well enough if you need a fix of that particular and unique brand of humor. A new collection, however, promises something a little different, the rejected cartoons: “Some were too racy, rude or rowdy. Some are too politically incorrect or too weird. A few are probably too dumb.” Those are the words of Matthew Diffee, New Yorker cartoonist and editor of the The Rejection Collection: Cartoons You Never Saw, and Never Will See, in The New Yorker. In a brief piece about the book in the LA Times Diffee writes: So most of our stuff gets rejected; and sure, some of the rejected cartoons are pretty bad and deserve to be hidden forever. But there are always a few gems that are missed, and believe me, we remember them. So I decided to collect the best rejects from a number of my friends and colleagues – all regular New Yorker cartoonists, but all of whom, like me, have nine out of 10 of their submissions rejected.I might have to check this one out.
If you haven’t seen the action in the comments of Garth’s reply to n+1’s column on litblogs, it’s worth a look, as the discussion has, shall we say, flowed onward. Mark, meanwhile, has begun posting “an irregular featurette” called “The n+1 Letters” in which he revisits the correspondence he has had with the magazine in question. Here at The Millions we tend to take a more dispassionate view the literary scuffles that crop up from time to time, but being in the middle of this one hasn’t been entirely unpleasant. It’s entertaining at the very least.Update: Scott has expressed his queasiness with the tack Mark is taking, and I’ll admit to sharing that discomfort. (I would not republish private correspondence without permission.) Also, n+1 editor Keith Gessen has now left a comment at the original post.