The winners of the Lettre Ulysses Award – a prize for book-length reportage that I discussed a few weeks ago – have been announced. Alexandra Fuller’s account of her travels with a white, African mercenary, Scribbling the Cat: Travels with an African Soldier took the 50,000 Euro first prize while A Season in Mecca: Narrative of a Pilgrimage by Moroccan Abdellah Hammoudi and Baghdad Burning: Girl Blog from Iraq by Riverbend won the 30,000 Euro second prize and 20,000 Euro third prize, respectively.
This year’s “Genius grant” winners have been announced. The MacArthur grant awards $625,000 “no strings attached” to “talented individuals who have shown extraordinary originality and dedication in their creative pursuits and a marked capacity for self-direction.” Alongside scientists, artists and scholars are some newly minted geniuses with a literary focus. This year’s literary geniuses are:
Maggie Nelson is known best for her non-fiction. Often described as some combination of “lyrical” and “philosophical,” Nelson’s five book-length works of nonfiction have won her a steadfast following. She might be described as a “writer’s writer.” The evidence is in how often her books are named by other writers in our annual Year in Reading series. Bluets, a meditation on the color blue, won praise from David Shields (“utterly brilliant”), Stephen Elliott (“excellent”), Haley Mlotek (“I read Bluets twice in the same plane ride.”), Leslie Jamison, Jaquira Díaz, and Margaret Eby. Meaghan O’Connell wrote of Nelson, “She is one of those people for me, writers who I want to cross all boundaries with, writers from whom I ask too much. She makes me want more than, as a reader, I deserve. She already gives us more than we deserve. It isn’t fair.” Many of the above writers also praised Nelson’s more recent The Argonauts, “a genre-bending memoir,” as did Bijan Stephen, Olivia Laing (“It thinks deeply and with immense nuance and grace”), Karolina Waclawiak (“I found myself underlining on nearly every page”), and Parul Sehgal. Nelson herself appeared in our Year in Reading last year, shining light on books by Eileen Myles and Ellen Miller, among others.
Claudia Rankine, poet, has received especially wide acclaim for her “provocative meditation on race” Citizen: An American Lyric, a book that (perhaps along with Between the World and Me by last year’s “Genius” Ta-Nehisi Coates) that can be pointed to as a literary catalyst. Many may have first become aware of Rankine earlier this year, when her book — wielded as an object of protest — was caught by cameras behind a ranting Donald Trump at one of his rallies. MacArthur rightly describes Rankine as “a critical voice in current conversations about racial violence.” Ed Simon named Citizen this moment’s best candidate in his search for America’s great epic poem.
In its announcement, MacArthur says artist and writer Lauren Redniss “is an artist and writer seamlessly integrating artwork, written text, and design elements in works of visual nonfiction. Redniss undertakes archival research, interviews and reportage, and field expeditions to inform every aspect of a book’s creation, from its text, to its format and page layout, to the design of the typeface, to the printing and drawing techniques used for the artwork.” Redniss is probably best-known for 2011 National Book Award finalist Radioactive, a vibrantly illustrated biography of pioneering scientists Marie and Pierre Curie. Our own Hannah Gersen described it as “elaborately beautiful.”
Gene Luen Yang has smashed stereotypes with his vibrant graphic novels, American Born Chinese, The Eternal Smile (with Derek Kirk Kim), and Boxers & Saints. Our 2010 interview with Yang explored his influences and his work.
The lone playwright to be named a “genius” this year is Branden Jacobs-Jenkins. “Many of Jacobs-Jenkins’s plays use a historical lens to satirize and comment on modern culture, particularly the ways in which race and class are negotiated in both private and public settings.”
Sarah Stillman has become a byline to look for in The New Yorker, carrying out journalistic investigations that have raised public outrage and spurred recalcitrant politicians into action. “Taken” is perhaps her best-known article. It investigates how local police forces have used the principal of “civil asset forfeiture” to plunder citizens and enrich themselves.
Longtime readers will recall my interest in a fairly obscure literary prize called the Lettre Ulysses Award, which recognizes works of book-length journalism from around the world. I wrote about the shortlist and winner in 2005 and the longlist and winner in 2006. Thinking it might be time for this year’s installment of the Lettre Ulysses, I recently visited the award’s website and was dismayed to discover that the award is on hiatus, perhaps permanently:The Lettre Ulysses Award for the Art of Reportage will not be presented in 2007. The only world prize for literary reportage was brought to life by the cultural quarterly Lettre International in 2003 with the financial support of the Aventis Foundation and was presented annually up until 2006. The Goethe-Institut has been a partner of the project from the very beginning. Since the contract with the Aventis Foundation expired the Foundation Lettre International Award has not succeeded so far in finding a new partner to finance the award. The organizers hope to be able to present the award again annually from 2008.I’m hoping that Lettre Ulysses is successful in finding backing for next year. Though not a well-known prize, it highlighted the work of reporters around the world who shed light on conflicts and cultures that deserve global attention.
Joseph Epstein (Fabulous Small Jews, Snobbery) takes a look at the glut of awards, literary and otherwise in a Wall Street Journal piece: “All this prize-giving has made the field of culture rather like one of those progressive preschools where, on graduation day, even the most hopeless child is given a prize for not actually maiming his classmates.”
The winners of the National Book Critics Circle Award have been announced in New York City. The award is voted on by critics and considers all books in English (including in translation), no matter the country of origin. The winners in the various categories and some supplementary links:
Criticism: Franco Moretti, Distant Reading
Poetry: Frank Bidart, Metaphysical Dog (The Poet and the Movie Star: An Evening with Frank Bidart and James Franco)
Previously: The finalists