As I recall there was a brief burst of interest in Alexandre Dumas’ The Count of Monte Cristo when the movie came out in 2002. It makes sense because the movie does a good job of capturing this story of intrigue and revenge, and, in fact, the novel lends itself well to the screen because it is so packed full of brilliant schemes and vivid characters. At the start of the book Edmond Dantes, a young French sailor, gets unwittingly wrapped up in the political machinations of his day, and ends up getting hauled off to the Chateau d’If, an island prison as sinister as it sounds. At this point, though we feel sorry for Dantes, we are treated to 50 or so pages of his struggle against hopelessness and his friendship with a priest named Faria. Dumas’ account of Dantes time in prison is thrilling both for its emotional weight and for the ingenious plans that Dantes and Faria concoct. By the next stage of the book, when the mysterious Count of Monte Cristo begins stirring up trouble among the Parisian elite, you wonder what else could be in store, since so many adventures have already occurred. But it turns out there’s a whole lot more. Dozens of characters are introduced, and though at times it becomes a bit overwhelming trying to remember who is romantically involved with whom and who is trying to kill whom, the whole massive web manages to untangle itself wonderfully in the end. The book is a real joy to read and Monte Cristo is a brilliant character. You will find him to be both enthralling and terrifying.
Here are some more books coming our wayBack when I worked at the bookstore, Elizabeth Crane’s When the Messenger is Hot was one of the books my coworkers liked to evangelize about. Read “The Daves” and you’ll see why. Crane has a new collection of stories coming out in a couple of weeks called All This Heavenly Glory. Here’s one of the stories from the new collection, an amusing take on the personal ad which becomes much more impressive when you realize that the whole long piece is one sentence (unless you think using semi-colons is cheating). Three other reasons to like Elizabeth Crane: She lives in Chicago, the city I currently call home. She was interviewed in Tap: Chicago’s Bar Journal. She has a charming, unassuming blog called – for reasons I cannot discern – standby_bert.You may recognize the name Achmat Dangor because his novel of apartheid and its aftermath, Bitter Fruit, was shortlisted for a Booker Prize in 2004. Although the South African novelist missed out on any Booker boost his novel might have received here in the States, the book, which hits shelves soon, will likely garner some prominent reviews. In the meantime, here’s an interesting piece by Dangor about South African literature from the Guardian, and here’s a brief excerpt from Bitter Fruit.Alicia Erian’s debut collection of stories from 2001, The Brutal Language of Love was described as “seductive, erotic, smart and tartly humorous” by Publishers Weekly. Now Erian is returning with her first novel, Towelhead, a contemporary coming-of-age story about a half-Lebanese girl who moves to Texas to live with her strict father. The novel’s title comes from the epithet she hears from other residents of her less than enlightened suburb near Houston. A long – and very compelling – excerpt of the book is available here. And for a different taste of Erian’s writing, try this story from 2000 in the Barcelona Review.In 2002’s Insect Dreams: The Half Life of Gregor Samsa, Marc Estrin conjured up a second life for Kafka’s transmogrified protagonist. In his new novel, The Education of Arnold Hitler, Estrin wonders: what’s in a name? Saddled with an unfortunate surname, Arnold is at the mercy of preconceived notions and receives the attention of many unsavory characters. A brief excerpt is available here. Estrin also has a blog that is in its infancy.Look for more upcoming books in this space over the next few days.
One of my many side projects is coming to fruition right now. A while ago my friend Derek and I started a record label called Realistic Records. After planning for almost a year, we have released our first record. The Recoys are the former band of current members of The Walkmen and The French Kicks This is an album that never was, but probably should have been, so we’ve put together a vinyl only run of 1000. It’s called Recoys Rekoys. The record is fantastic and if you like the Walkmen or the French Kicks or any of the great new rock that’s out right now, then you’ll love this album. You can buy it either here or here and hopefully it will soon be available in your local record store. Also, the Recoys will be reuniting for one night only to celebrate the long awaited release of this album. Here are the details:Friday June 20thkingsland taverncorner of kingsland and nassau in greenpointHopefully I’ll see you there.
I ran a piece in last week’s New York Observer reviewing William Goetzmann’s intellectual history, Beyond the Revolution: A History of American Thought from Paine to Pragmatism. A dry title, I know, and somewhat dry inside the cover, too. Goetzmann is near the end of a long academic career and the book felt a little like cleaning out the closet. Still, I found it an interesting read. There’s a novel synthesis running through all the facts and anecdotes, one that I think is particularly useful in our time:There were few things America’s charter citizens agreed on, but one was that the government should be agnostic about what makes the good life. That neutrality left the field open for utopian projects like Brook Farm and Modern Times, and makes room today for everything from mega-churches to television ads that hawk deodorant as a lifestyle. In fact, Beyond the Revolution argues, the entire frenzy of American enterprise from the founding to the present can be understood as an effort to invent, peddle, connive or discern, a model for how to choose and what to value in country where anything is possible.
Why is it that so many people are turned off by the classics? Is it because would-be readers are afraid they won’t “get it?” Or does reading a well-known tome on the subway or in a cafe exude an air of pretentiousness, when it’s more likely that the reader just never followed through on that English lit assignment?In talking about his latest book, Classics for Pleasure, the Pulitzer Prize winning critic, Michael Dirda, said he not only hopes to make the classics appear less daunting and more accessible to the general public, but he also wants to “encourage people to read more widely.”Dirda, a columnist for The Washington Post’s Book World, said his goal is to get people to “read beyond the recognized classics and read beyond the contemporary.” He made his remarks Tuesday during a lecture, co-sponsored by the English-Speaking Union, at the Women’s National Democratic Club in Washington, D.C.Classics for Pleasure consists of about 90 essays, written by Dirda, that describe the importance of lesser-known authors such as Sheridan Le Fanu and Abolqasem Ferdowsi as well as literary giants like Henry James and Christopher Marlowe.Each essay, ranging from two to five pages, serves as a primer on the era and author, with excerpts from famous works. They also offer some much-needed perspective, even for the seasoned reader, and are grouped together with topical headings such as Realms of Adventure, The Dark Side and Love’s Mysteries.But why should these classics, or any others for that matter, deserve a kind of sacred reverence?”Truly distinctive voices, once heard, ought never to be forgotten,” Dirda writes. “More than anything else, great books speak to us of our own very real feelings and failings, of our all-too-human daydreams and confusions.”From Dirda’s point of view, some of those failings and confusions are commonplace on the Web, perpetrated by those who dabble in his trade. He said that while “blogs and the online bookish universe are a wonderful thing… there are no oversights for the most part,” meaning no editorial review like the kind he gets from The Washington Post.He went on to say that some online book critics have a tendency to make a name for themselves by writing “vulgar, rude, outrageous” reviews, and such pieces should not be the standard for literary criticism.While that eventuality seems unlikely, Dirda’s nonetheless uses the book to re-establish his high bar for criticism while drawing in readers to “discover” the classics of yesteryear. One is certainly easier to achieve than the other.See Also: Classifying Classics; Nothing is Dead Yet: The Era of the Trusted Fellow Reader; Literature and History
Earlier today it was announced that Lan Samantha Chang has been named the new director of the Iowa Writers Workshop. Here’s what my friend in Iowa had to say about the choice:So, yeah, Sam Chang. The gossip had her picked since last week. The students as a whole, are somewhat disappointed. Ben Marcus was definitely the favorite among everyone…for his exciting workshop and even more exciting craft talk, if not for his reading. We all knew he wouldn’t get it though. Too much craziness, perhaps? Sam’s workshop, as I reported, was great, and it’s my hope that her leadership and fundraising skills match her teaching abilities. Since she’s a workshop grad, I don’t think much will change around here, which is both good and bad. It would’ve been nice to get some new blood around here.Lots of related links can be found at Babies are Fireproof.