As I recall there was a brief burst of interest in Alexandre Dumas’ The Count of Monte Cristo when the movie came out in 2002. It makes sense because the movie does a good job of capturing this story of intrigue and revenge, and, in fact, the novel lends itself well to the screen because it is so packed full of brilliant schemes and vivid characters. At the start of the book Edmond Dantes, a young French sailor, gets unwittingly wrapped up in the political machinations of his day, and ends up getting hauled off to the Chateau d’If, an island prison as sinister as it sounds. At this point, though we feel sorry for Dantes, we are treated to 50 or so pages of his struggle against hopelessness and his friendship with a priest named Faria. Dumas’ account of Dantes time in prison is thrilling both for its emotional weight and for the ingenious plans that Dantes and Faria concoct. By the next stage of the book, when the mysterious Count of Monte Cristo begins stirring up trouble among the Parisian elite, you wonder what else could be in store, since so many adventures have already occurred. But it turns out there’s a whole lot more. Dozens of characters are introduced, and though at times it becomes a bit overwhelming trying to remember who is romantically involved with whom and who is trying to kill whom, the whole massive web manages to untangle itself wonderfully in the end. The book is a real joy to read and Monte Cristo is a brilliant character. You will find him to be both enthralling and terrifying.
Jack Kerouac’s On the Road is known as much for its content as for the story surrounding its creation: Kerouac wrote in a frenzied three weeks, typing furiously on a continuous scroll of paper, or so the story goes. The truth is though, while there is indeed a scroll – it has toured the country for years, stopping at various museums and libraries – On the Road’s creation is more complicated than that, as a recent NPR segment discussed.In fact, On the Road wasn’t written in a three week rush, it was half formed in Kerouac’s notebooks before ending up on the scroll and went through many drafts afterward. Furthermore, the version on the scroll isn’t what we’ve read, as the novel evolved in future drafts and was fairly heavily edited before Viking finally published the book in 1957. Not only that, the end of the scroll is missing – eaten by a dog supposedly – so it’s not entirely clear what Kerouac’s original intention was for the end of the novel.Still, the On the Road scroll is a powerful thing symbolically, and it may be closer to what Kerouac intended the novel to be than what was published originally. In recognition of that, for the 50th anniversary of the book’s publication, Viking (now a part of Penguin) is publishing the scroll (in book form, of course) with an ending taken from other early drafts of On the Road.For those who prefer the On the Road that we grew up reading (watered down though it may be), a standard 50th Anniversary edition is on its way as well. You can shelve it alongside the 40th Anniversary edition you bought ten years ago.