I came across Narrative Magazine this weekend, which, if you register, offers a free online subscription. The magazine comes out twice a year and includes several short stories and novel excerpts as well as interviews, non-fiction, and classics. Under classics, the magazine has published work by Jean Stafford, Peter Taylor, and Ivan Turgenev. Recently they have also published a sizable chunk of the Rick Bass book I mentioned yesterday, The Diezmo. Once you’ve registered, go to the Archive page to see all the stuff they’ve got online.
We all work very hard at The Millions. But writing about books, despite being, uh, serious business, is not necessarily life threatening. Blogging for the 24/7 news cycle is, apparently.Sticking with journalism's good-old "three is a trend" praxis and using three bloggers who suffered heart attacks, two of them fatal, the New York Times published a front-page story Sunday, highlighting the strains and risks of strenuous blogging for Web sites like TechCrunch, Gizmodo, and Gawker, among others.I am beginning to suspect that the Gray Lady is attracted to this hot young thing. A month ago on Sunday the paper published a story about politicos blogging from DC. In what read like a oh-look-at-my-fabulous-blogging-life article, the Times described life in assorted "flophouses" where 20-somethings all cohabitated and blogged together, having parties on Super Tuesday to celebrate - and, of course, write about - the primaries. OK, there's only one flophouse, but the assorted houses do exist.And while DC bloggers help shape the political landscape, their Wall Street cousins are said to be moving markets, according to this academic study. Tip of the day: following financial blogs and short selling stocks accordingly may make you a quick buck - not a bad deal in this economy.Alternatively, you can tune in to The Millions, where we shun heart attacks and continue to post at our leisurely - and hopefully satisfactory - pace.
At first I couldn't tell if Janet Maslin's review of James Frey's novel Bright and Shiny Morning was a joke or not. I guess she liked the book, but her homage to Frey's style is so terrible, the start-stop prose so laughably bad, that I assumed she was making fun of the poor guy:He wrote a big book. He wrote about a city. Los Angeles. He made up a lot of characters, high low rich poor lucky not, every kind, the book threw them together. It was random but smart. Every now and then he would pause the story, switch to the present tense and throw in an urban fact.David L. Ulin at the Los Angeles Times had a different reaction to the novel, calling it, "one of the worst I've ever read." Ouch.At the Vroman's blog, Patrick has an exclusive interview with the author himself. Frey discusses, among other things, his future as a memoirist, the city of Los Angeles, and, of course, his new novel:Ultimately, though, I tried to write a book that was unlike anything that has preceded it, that is devoid of any real influence, and that's singular in its composition and voice, but also immediately recognizable as my work. I have tried to do this with each of my books. I want to tell stories in new, fresh ways. I want my writing to reflect the age in which we live, which is fast, contains vast amounts of information, and uses new ways to present the information. I always read while I write, but for pleasure, not inspiration or influence.I wonder if this is really possible. Frank Conroy reportedly once said, "Voice is the amalgamation of books read," and I tend to agree. But I suppose Mr. Frey lives by Ezra Pound's famous dictum: "Make it new." It'll be interesting to see how readers react to Frey's latest endeavor. Will they agree with Maslin or Ulin, or somewhere in between?
What we need are more serious movies with multiracial characters/casts that aren't SCARE QUOTES MOVIES ABOUT RACE END SCARE QUOTES. We need more movies that simultaneously are and aren't about race: movies that are dramas and comedies, about love, death, the usual human plots—and also happen to be about race.
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No the Times isn't getting comics, but they are taking a cue from the New Yorker by adding a graphic novel-type comics section to the Sunday magazine. Everybody's been saying for years that "graphic novels" are on the cusp of taking the book world by storm. Is this a step in that direction? The first artist to appear will be, you guessed it, Chris Ware. Get the gory details here.