I’ve been writing a lot about film adaptations lately, so I was thrilled to stumble onto this very cool series at the Guardian which each week is turning a critical eye on a new famous film adaptation. The latest is on Jean-Jacques Annaud’s 1986 version of Umberto Eco’s The Name of the Rose.
...I'd have to bite the bullet and get Tivo, because in the last few weeks, the Christian Sabbath has become a televisual feast day for people of the book. The 8 p.m. time slot currently offers a difficult choice between NBC's quasi-Biblical Kings (recommended by Emily) and HBO's The No. 1 Ladies' Detective Agency (filmed in Botswana, a country that has fascinated me ever since I read Mating). Then, at 9 on PBS, there's the Masterpiece adaptation of Dickens' Little Dorrit, a Wire-like whirligig of plot and thespian energy that in many ways excels the novel.The rest of the week, alas, continues to be wall-to-wall reality show, and while the new Vivica A. Fox vehicle Cougars sounds intriguing, I guess I can hold off on the DVR. I have no expectation that the current embarrassment of riches on Sunday night is anything but a fluke.
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I just discovered that HBO is going to turn Jeffrey Eugenides' novel Middlesex into a series. Immediately all was untrammeled rapture. I love Middlesex, and I am a big fan of HBO series generally. The Sopranos. The inimitable Wire. Curb Your Enthusiasm. Rome. Deadwood. And yes, Sex and the City. I know that Sex and the City oppresses women and is an embarrassment and there's no way she can afford those outfits on that salary and all of that. I still like it. I have a, uh, friend who once bought a DVD boxed set of dubious authenticity in China because it cost a very low, but not actually as low as she thought, number of Chinese yuan. It soothes me to have it playing in the background on the rare occasions when I try to perpetrate a hairdo on myself. The fun thing is that the episodes are not in order, and Chinese characters can show up at any time! But that's neither here nor there. Soon my untrammeled delight was tempered with anxiety. I have very low expectations of television, so when a show is even remotely entertaining, I am swiftly ensnared. It makes me nervous, though, when beloved books are threatened with The Screen Treatment. I didn't love the Virgin Suicides (novel), so I was dazzled by an Air soundtrack and Josh Hartnett in a mullet-type thing. But I loved Middlesex. I read it when it came out, and immediately read it again. Then for a while afterward I was in a lather trying to find out whether J. Eugenides was working on a new book, and when I might be able to read that. One thing I loved about the novel was what I believe is called "the scope" (typically accompanied by adjectives like "breathtaking"), which is not easy to achieve on the screen (easier with a series than a movie, but still not easy). How will they pace it? How many seasons? I hope they don't truncate the beginning, wherein Calliope's grandparents make haste, and then incest, out of burning Smyrna. Or the long and sort of gross courtship of Calliope's parents. What of Lina, and Jimmy Zizmo, and Marius Wyxzewizard Challouehliczilczese Grimes? Who will play the Obscure Object? Will she have freckles and heavy thighs? Who will play Apollonian Calliope? And then Dionysian Calliope? And who will play Cal? The show is going to be written (adapted?) by playwright Donald Margulies. It's embarrassing how little I know about theatre, but I see that he won the, whaddaycallit, Pulitzer Prize. Presumably, then, he is good at writing things that are meant to be performed. So that's a solace. Unfortunately, since my worldview has been warped, no doubt, by Sex and the City, the main thing I knew about Rita Wilson is that she is married to Tom Hanks and she looks great. However, I subsequently learned that she has produced a number of things. And that she, like Cal, is American-born to Greek parents. Not only is she Greek Orthodox, according to Wikipedia, but her father is a Greek-born Pomak convert to Orthodoxy, and her mother grew up on the Greece-Albania border. Not that ancestry need define a person, but Ms. Wilson would seem optimally placed to understand a thing or two about the complexities of identity on and around the Balkan peninsula. And since Middlesex is a lot about the complexities of identity (defined or not defined by ancestry), and not a little bit about the complexities of identity as they pertain to the Greek nation, I feel optimistic about her role as a shepherd for this project, even if Middlesex deals with significantly weightier issues than earlier (and also Hellenic-themed) projects like My Big Fat Greek Wedding, Mamma Mia!, and My Life in Ruins.As we collectively wrote about in a recent post, not all screen (big or small) adaptations are an exercise in futility. The fundamentals here seem strong. What do you think?
For a few hours one night a year the film made her forget her worries about finances or her unhappy marriage to my father. I have since discovered how we often return to our favorite songs, movies and books, seeking contentment or an escape from our daily lives.
We learned earlier this month that Nina Jacobson, a movie producer responsible for the the Hunger Games franchise, among other things, has acquired the rights to Donna Tartt’s The Goldfinch and is looking for a director to make it into a film or mini-series. Lucky for Jacobson, dream-casting the movie version of a book is one of my life’s true passions, and my colleague Edan Lepucki and I hereby submit our ideas for the Goldfinch cast. The process reveals the bizarre extent to which I think I understand the Hollywood casting processes (and how often my first choice is ten years too late), which starlets we think play trashy the best, and how it might be worth it to turn the cast on its head to let Michael B. Jordan play Theo. [Warning: Our discussion of what will be required to play these characters results in many spoilers.] Audrey Decker: Janet: It strikes me that almost any beautiful actress past her starlet age could swoop in and play an angelic, sophisticated mother who loved art and New York and whom we will probably see in fuzzy, nostalgic flashbacks for the duration of the film. Ten years ago it would have been Julianne Moore’s in a heartbeat, but now I picture Rachel Weisz or Michelle Monaghan (probably because we all just saw her play a lovely woman who married the wrong guy young in True Detective). Edan: I love the idea of Rachel Weisz playing this role -- she does elegant/maternal very well. The same goes for Kate Winslet. (I’m sorry, but a chair can act better than Michelle Monaghan.) I’d also suggest Kerry Washington for the role; her face can go from assured to vulnerable in a millisecond, and she’s got a powerful presence that both Theo and the audience will grieve. Imagine, too, a non-white Theo Decker...his outsider status might then take on a whole other dimension... Larry Decker: Janet: Theo’s father is complicated. At one point he wooed Rachel Weisz up there, and continues to be a charming, charismatic guy, but ends up running schemes in Vegas. The part of me that likes to think I understand Hollywood surmises that it’s not a big enough role for the likes of Ben Affleck or Bradley Cooper, who would both be great but might be too busy on the A list. I could see Josh Brolin or Mark Ruffalo, though. They’ve both got the range and the tragic good looks. Edan: If Mark Ruffalo knocked on my door right now, I’d open it naked. Yes! Ruffalo! I also could see Peter Krause of Six Feet Under (and Parenthood) fame -- he’s handsome enough, and he emits a slight aura of bratty rage that playing Larry Decker would require. Xandra: Janet: Larry’s girlfriend is introduced as “a strange woman, tan and very fit-looking: flat gray eyes, lined coppery skin, and teeth that went in, with a split between them. Although she was older than my mother, or at any rate older-looking, she was dressed like someone younger: red platform sandals; low-slung jeans; wide belt; lots of gold jewelry. Her hair, the color of caramel straw, was very straight and tattered at the ends; she was chewing gum and a strong smell of Juicy Fruit was coming off her.” So not Amy Adams, is what I’m saying. I could see Anna Paquin (who already has a gap in her teeth) or Chloe Sevigny taking a fun trip to trashville to play Xandra, or, if they stick to the age described, Rachel Griffiths. Edan: Like Hollywood would ever stick to the age described! I bet the producers cast Elle Fanning, those ageists! Though I love Paquin and Sevigny, Paquin strikes me as too round-faced, and Sevigny is far too rich girl for me to believe her as Xandra. She’d be better off as a Barbour with her George Plimpton-esque mid-Atlantic accent! My pick for this role is Taryn Manning; her meth-head-turned-religious savior in Orange is the New Black is by turns gleeful, hideous, frightening, and humanizing. That girl can trash it up, and she is so fun to watch. [Janet: With Peter Krause as Larry and Rachel Griffiths as Xandra we could have a Six Feet Under reunion on our hands. Think about it.] Young Theo/Young Boris: Janet: The first section of the book follows Theo from age 13 to 18, and Boris comes in about halfway through, so it’s hard to know how that will be cast—maybe they’ll shrink the timeline so that one actor can play all those years, because I can’t imagine them getting both a middle school Theo and a high school Theo. Teenage Theo and Boris are also pretty weighty parts, so they can’t just find kids who look like a young version of their leading men to fill in for the first 20 minutes — like Jennifer Garner’s doppelganger in 13 Going on 30. Not that any of this matters, because I’m not familiar with a lot of young teenage actors, so I’ll just name the three I know because of Divergent or The Fault in Our Stars: Ansel Elgort, Miles Teller, and Nat Wolff. (Ten years ago: Nicholas Hoult.) Edan: I have no opinions about man-boy actors. Just don’t cast the teenage son from USA’s Necessary Roughness; I have nightmares about his Ken-doll face. Theo: Janet: Theo is an intentionally divisive character. I found myself loving and hating him in equal measure, and getting the wrong actor could push the character too far in either direction. And, like his father, Theo is equally conversant in New York society, the antiques world, a life of crime, and a drug habit, so the actor has to have the same versatility. Andrew Garfield and Joseph Gordon Levitt both came to mind as bankable leading men, but they might be too adorable for Theo. (And can you imagine Joseph Gordon Levitt pining for but never winning Pippa? Hahahaha no.) Our colleague Lydia suggested Adrien Grenier, Adam Brody, and Zachary Quinto, each of whom have varying degrees of edge. My prediction is Jake Gyllenhaal, because I think he’s established enough that a studio would trust him to carry the movie (why am I talking like this?). But my dream actor is Emile Hirsch. He’s that perfect tragic-hero mix of magnetic, melancholy, doomed, but likable, and I’ve been waiting for the rest of America to fall in love with him since Into the Wild. Edan: You think Joseph Gordon Levitt is that irresistible? [Janet: YES.] I mean, he’s adorable, yes, but he’s also small -- he looks short on screen, which must mean he’s a teeny-tiny person. There’s also a strain of nerdery in him that could work for this role and make him less Mr. Cool. However, I love your idea to cast Emile Hirsch -- what a phenomenal actor. If Kerry Washington is cast as the mother, however, might I suggest Donald Glover from Community in this role? Or, the incredible Michael B. Jordan from The Wire, Friday Night Lights, and Fruitvale Station? (Hell, cast Jordan anyway! His eyes -- they convey innocence, rage, curiosity and longing all at once!) Boris: Janet: Oh Boris, you lying knave. I can’t get past the idea of how great a younger Leonardo DiCaprio would be, so I have no ideas. Lydia astutely suggested Paul Dano. But I know you have a strong opinion... Edan: Adam Driver is the only man for this role. That pale skin! Those jug ears! He looks like a boy raised on vodka! Driver continually surprises me as Hannah Horvath’s boyfriend on Girls. He imbues every line of dialogue with unexpected nuance, and his physical presence is fascinating, discomfiting, sexy, comic, and tragic. Plus, he’d do something great with Boris’s accent! Young Pippa: Janet: This will probably be some child actress we’ve never seen before, but Kiernan Shipka would be great. Edan: I vote for an unknown here. Pippa: Janet: Saintly, delicate Pippa is the European boarding school-educated flautist whom Theo doesn’t know how to quit. I think Emma Watson would do nicely. And she kind of looks like Kiernan Shipka! Edan: I’m the only person (on Tumblr) who hated the film adaptation of Perks of Being a Wallflower, and Emma Watson’s bad American accent was part of that hatred. Shipka can have it. Or perhaps Saoirse Ronan (from Atonement and Hanna) is available? She’s like a younger, prettier, and more ethereal version of myself, so of course I’m rooting for her always. Hobie: Janet: Widely decried as the most two-dimensional character in the book, lovely old Hobie could basically be played by any amicable actor who has time on their hands. I thought of Michael Gambon, who is most likely too old. Jeff Bridges or William Hurt would also be good, although both too American. Screw it, let’s give it to Cumberbatch. Edan: I would have loved to have cast Philip Seymour Hoffman in this role. If we want bona fide English, I’d go for Steve Coogan. Everyone loves Coogan, right? Kitsey “Kitten” Barbour: Janet: Theo’s high-society, two-timing fiancee. Leighton Meester or no one at all. Edan: I’ve never seen Gossip Girl, but I’ve read the gossip rags for many years, so I am all about Ms. Meester and her snobby, beautiful face. She looks like she was born wearing a sweater set and pearls. Various Barbours and background players: Janet: Mrs. Barbour is a surprisingly complex minor character that you’d just have to be elegant and icy to play. Jennifer Connelly, perhaps (ten years ago: Joan Allen). I have a sinking feeling Paul Giamatti will be Mr. Barbour because he shows up everywhere, and I don’t have any strong opinions about their children other than Kitten. Matt Dillon could show up as the guy who comes to threaten Theo’s dad with a baseball bat. Edan: Let’s just call Meryl and see if she’ll play Mrs. Barbour, though I also love Connelly’s skinny-woman-ice. I’d love to see Robert Englund play a member of the criminal art underworld. Oh, and of course: a little known actor named Omar Little would be perfect as Popchik. (I’m Omar’s momager; call me if you’re interested!)
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