To accompany this infographic on Russian literature, The New York Times asked Francine Prose and Benjamin Moser what makes 19th century Russian writing so distinctive. Pair with our own Matt Seidel‘s take on rejected Bookends questions.
The third volume of Karl Ove Knausgaard's My Struggle was released on Tuesday. In a recent review for The Daily Beast, Ted Gioia argues that "we read [My Struggle] with horror and delight, because the protagonist—who is Karl Ove Knausgaard himself—is determined to reveal every embarrassing and shameful detail of his past life. Imagine a literary novel with grand Proustian ambitions, but combined with the ethos of those creepy Jackass-type reality shows in which contestants get a dose of renown by making fools of themselves. That’s the spirit of My Struggle." For a second opinion, be sure to check out our own review of the novel's earlier installments.
"The immigrant who arrives too late in life to adapt to his new country, but too early to survive on nostalgia for the old country, has to create a third, imagined country to live in." Peter Pomerantsev writes for the London Review of Books about Brighton Beach, Russian immigrants and a "self-made America." Pair with Matthew Wolfson's review of Yelena Akhtiorskaya's novel of Brighton Beach and Odessa, Panic in a Suitcase.