To accompany this infographic on Russian literature, The New York Times asked Francine Prose and Benjamin Moser what makes 19th century Russian writing so distinctive. Pair with our own Matt Seidel‘s take on rejected Bookends questions.
So much to hate: The Beast’s 50 Most Loathsome People in America 2008Bookshelves gone wild: Plant your tree of knowledge next to your literary playground.At the Vroman’s Bookstore blog, Patrick talks about why “books need more time,” and looks at how one book is getting more than the one week it was given.n+1 launches N1BR, the book review supplement to n+1. One of the editors is Nikil Saval, who appeared in our Year in Reading series in 2008.The earliest celluloid film (from 1888) can be found – where else – on YouTube. (From The List Universe’s “Top 10 Incredible Early Firsts In Photography“)As if it wasn’t already hard enough to get up for work in the morning: Our world may be a giant hologramJack Shafer responds to David Carr’s call to “invent an iTunes for News.”
Year in Reading alum Maud Newton has a new short story up on Medium. Titled “Nobody’s Stranger,” the “Miami noir love story” somewhat wonderfully features a bar, “the most incongruous bar in Little Haiti,” in which the patrons are mostly “aging emo kids and British soccer fans and overweight burlesque enthusiasts.”
“Literature can use secrecy as a device to ensnare readers, to pull the wool over their eyes or to reveal to them things that the characters can’t see. Whether large – businessman by day, serial killer by night; or small – where a character silently yearns for an ex-lover.” Eli Goldstone compiles a list for The Guardian of 10 novels whose characters are concealing big secrets, including a few lesser-knowns like Shirley Jackson‘s We Have Always Lived in the Castle and New Finnish Grammar by Diego Marani.