In 1998, Matthew Stokoe kicked off his career as a novelist with Cows, a stomach-turning book set largely in the confines of a slaughterhouse. Now, Stokoe has written a book with a somewhat ironic title, considering it dials down the obscenity in comparison to his early work. Drew Smith interviews the author over at Full-Stop.
Mrs. Millions and I will be departing tomorrow for a trip to Greece and Turkey. Of all the many things to be excited about, we are most excited about the food. And in Turkey, we will have a local tour guide in the form of Emre, our longtime Turkish correspondent here at The Millions.We're trying to travel very light, just a backpack each, and that doesn't leave much room for reading material. We allowed ourselves to each select a paperback (and a magazine or two) and presumably we will swap the paperbacks if we finish them before our trip is over. Mrs. Millions is bringing The Complete Short Stories of Ernest Hemingway, and I have decided to read Maqroll for a second time. I'm also bringing the latest New Yorker, which is, regrettably, the Style Issue.While I'm gone, the rest of the gang at The Millions will be taking over. See you soon!
“The plot, obviously, is kind of difficult to explain, like an earnest, pared-down, hipster Foucault’s Pendulum. Not only are all of the plot turns above laid out through a multiframed narrative, replete with several people’s footnotes, but the events are interwoven with disquisitions on the history of map-making, Situationist philosophy, urban planning, and pop music.” At Slate, our own Lydia Kiesling reads Catie Disabato’s The Ghost Network. (ICYMI, Dan Lopez reviewed the book for The Millions.)