Aloof, Quiet, and Dissonant: On Haruki Murakami’s Colorless Tsukuru Tazaki and His Years of Pilgrimage
All of the hallmarks of Murakami’s style all are present in Colorless Tsukuru, but for perhaps the first time in his work, they seem flat and uninteresting, almost overused, as if the novel is a parody of his earlier work.