After a fashion we stop questioning how much of what we are reading is memoir and how much of it isn’t, and simply surrender to the elegant, limpid prose.
'Blood-Drenched Beard' has at its center a fascinatingly headstrong character, one who swims perfectly but flounders on land, who strives for connection with his grandfather while cutting himself off from family -- and one we root for despite not knowing his name.
But for all its strengths, Home still falls short. This is partly due to its length. The result is a busy cast bursting with potential, but characters who are so hamstrung in their tight confinement, so seldom on the page, that their tales are only half-told.
Fiction that aspires to be something more than an entertainment commodity must, I think, ultimately be concerned with its own longevity, with the conversation it holds between itself and whatever has preceded it.
There is even a mock-beheading, all the more mocking and blackly comic because one of the executioners loses his dishdasha and has to improvise by wearing a Little Mermaid beach towel round his waist.
We might scorn them but the two main rules of the thriller are incontestable: excitement is the drama of movement rather than stasis; and you can strain the reader’s credulity but don’t try our patience.