Three books, each of which asks what is for me the only serious question: given that we die, and given that there is no god, how do we find purpose in existence?
Geoff Dyer, Out of Sheer Rage. This may sound unpromising: Dyer tries and fails to write a biography of D.H. Lawrence, but the book conveys Lawrence better than any conventional biography, and more importantly, it asks the question: how and why do we get up in the morning? In many ways, it’s a thinking person’s how-to book. How to live your life with passion when you know every passion is delusional, is drained of meaning. Dyer can’t commit to place, to relationship, to art, because he can always see the opposite position. Dyer’s conclusion: “The best we can do is try to make some progress with our studies of D.H. Lawrence.” By getting up in the morning, we get up in the morning. By not writing our biographies of D.H. Lawrence, we write our biographies of D.H. Lawrence. I reread this book at least once a year.
J.M. Coetzee, Elizabeth Costello My favorite book of Coetzee’s, by far, because chapter by chapter it takes a commitment that Coetzee, in previous books, affirmed and now undermines: politics, sex, love, art, animal rights. This book is a series of lectures Coetzee actually gave, but it’s now a fictional character named Elizabeth Costello who gives the lectures. The book hovers between fiction and nonfiction, as for me, so many of the most exciting books do. By the end of the book, the only thing Coetzee can affirm, the only thing Costello affirms, is the belling of frogs emerging from mud. The animal life of sheer survival. I love how joyous and despairing that is: it’s affirmation, but along a very narrow margin. My favorite books are candid beyond candid, and they proceed form this assumption: We’ll all be dead in 100 years. Here, now, in this book, I’m going to cut to the absolute bone.
David Markson, This Is Not a Novel. A book built almost entirely out of other writers’ lines, some attributed, many not. One of the pleasures of reading the book is recognizing so many of the passages. A bibliophile’s wet dream, but it’s no mere collection of quotes. It’s a sustained meditation on this single question: against death, what consolation if any is art? Against the dark night of death, what solace is it that we still read Sophocles? For Sophocles, Markson implies, not a lot, but for us, maybe a little. Markson constantly toggles back and forth between affirming the timelessness of art and mocking such grandiosity. Even for readers who don’t recognize the quotations, the book will prove provocative, because it forces you to ask yourself: what do you push back with?
I seem to like books that help you get out of bed, but just barely. These books do that, with ferocious and, for me, life-affirming honesty.
A reading list:
Henry Adams, The Education of Henry Adams
Renata Adler, Speedboat
James Agee, Let Us Now Praise Famous Men
Hilton Als, The Women
W.H. Auden, A Certain World
Augustine, Confessions
Nicholson Baker, U and I, A Box of Matches
James Baldwin, Notes of a Native Son
Julian Barnes, Flaubert’s Parrot, Nothing to be Frightened Of
Roland Barthes, S/Z
Jo Ann Beard, The Boys of My Youth
Samuel Beckett, Proust
Alan Bennett, Writing Home
Sandra Bernhard, Without You I’m Nothing
Thomas Bernhard, Wittgenstein’s Nephew
John Berryman, The Dream Songs
Grégoire Bouillier, The Mystery Guest, Report on Myself
Jorge Luis Borges, Other Inquisitions
Joe Brainard, I Remember
Richard Brautigan, Trout Fishing in America
Sophie Calle, Exquisite Pain
Albert Camus, The Fall
Mary Cappello, Awkward
Anne Carson, Plainwater
Terry Castle, “My Heroin Christmas”
John Cheever, Journals
Frank Conroy, Stop-Time
E.M. Cioran, The Temptation to Exist
Billy Collins, The Art of Drowning
Bernard Cooper, Maps to Anywhere
Cyril Connolly, The Unquiet Grave
Douglas Coupland, Generation X
John D’Agata, About a Mountain
Charles Darwin, On the Origin of Species
Alphonse Daudet, In the Land of Pain
Larry David, Curb Your Enthusiasm
Thomas DeQuincey, Confessions of an Opium-Eater
Joan Didion, “Sentimental Journeys”
Annie Dillard, For the Time Being
Marguerite Duras, The Lover
Frederick Exley, A Fan’s Notes
Brian Fawcett, Cambodia
F. Scott Fitzgerald, The Crack-Up
E.M. Forster, Commonplace Book
Joe Frank, In the Dark
Amy Fusselman, The Pharmacist’s Mate, 8
Eduardo Galeano, The Book of Embraces
Vivian Gornick, Fierce Attachments, The End of the Novel of Love
Simon Gray, The Smoking Diaries
Spalding Gray, Morning, Noon, and Night
Barry Hannah, Boomerang
Elizabeth Hardwick, Sleepless Nights
Kathryn Harrison, The Kiss
John Haskell, I Am Not Jackson Pollock
Nathaniel Hawthorne, “The Custom-House”
William James, Varieties of Religious Experience
Frank Kafka, Letter to My Father
David Kirby, The House on Boulevard Street
Wayne Koestenbaum, The Queen’s Throat
Charles Lamb, The Essays of Elia
Philip Larkin, The Whitsun Weddings
D.H. Lawrence, Studies in Classical American Literature
Denis Leary, No Cure for Cancer
Michel Leiris, Manhood
Michael Lesy, Wisconsin Death Trip
Jonathan Lethem, The Disappointment Artist
Sven Lindqvist, A History of Bombing
Ross McElwee, Sherman’s March
Rosemary Mahoney, Down the Nile
Rian Malan, My Traitor’s Heart
Sarah Manguso, The Two Kinds of Decay
David Markson, Reader’s Block, Vanishing Point, The Last Novel
Carole Maso, The Art Lover
Herman Melville, Moby-Dick
Daniel Mendelsohn, The Elusive Embrace
Leonard Michaels, Shuffle
Michel de Montaigne, The Essays of Montaigne
Danger Mouse, The Grey Album
Vladimir Nabokov, Gogol
V.S. Naipaul, A Way in the World
Maggie Nelson, Bluets
Friederich Nietzsche, Ecce Homo
George Orwell, “Such, Such Were the Joys”
Blaise Pascal, Pensées
Don Patterson, Best Thought, Worst Thought
Fernando Pessoa, The Book of Disquiet
Marcel Proust, In Search of Lost Time
Jonathan Raban, For Love & Money
James Richardson, Vectors
Alain Robbe-Grillet, Ghosts in the Mirror
François Le Rochefoucauld, Maxims
Rick Reynolds, Only the Truth Is Funny
Chris Rock, Bring the Pain
Jean-Jacques Rousseau, Confessions
W.G. Sebald, The Emigrants
Wallace Shawn, My Dinner with André
Sarah Silverman, Jesus Is Magic
Lauren Slater, Lying
Gilbert Sorrentino, The Moon in its Flight
Art Spiegelman, Maus
Jean Stafford, A Mother in History
Stendahl, On Love
Laurence Sterne, Tristram Shandy
Jean Stein, Edie
Melanie Thernstrom, The Dead Girl
Jean Toomer, Cane
Thucydides, The History of the Peloponnesian War
George W.S. Trow, My Pilgrim’s Progress, Within the Context of No Context
Kurt Vonnegut, Slaughterhouse-Five (prologue)
D.J. Waldie, Holy Land
Joe Wenderoth, Letters to Wendy’s
Geoffrey Wolff, The Duke of Deception
