At the Guardian, Jami Attenberg, author of the recent memoir I Came All This Way to Meet You, reflects on how a key moment of rejection allowed her to carve out her own path as a writer. “I’m old enough to realise that there is one more important part to carving out your creative life: honouring your successes no matter the size,” Attenberg writes. “And honouring the bad moments too. Laying your burdens down. Building this writing life has always been about recognising what was holding me back so I could move on. One writer told me no. I honour his rejection. He said no, but I said yes.”
Did you know that a new Jonathan Safran Foer book is coming out this week? We didn’t until we saw a mention of it at Kottke. More surprising is the form of the book itself. Foer has created a new work called Tree of Codes by cutting out sections of one of his favorite books, The Street of Crocodiles by Bruno Shulz. The die-cut, Kindle-proof volume is the first major title by London-based Visual Editions. Vanity Fair has more.
After the Times Magazine published their interview with Roxane Gay — in which the Bad Feminist author and Year in Reading alum delves into the title of her latest book and talks about her love of Sweet Valley High — the crew at McSweeney’s dug up a humor piece the author published in 2010. If you can read the title without laughing, you are more stoic than I am: “I Am Going to Cook a Quiche in My Easy-Bake Oven and You Are Going to Like It.”
Mary Ruefle, author of the forthcoming Madness, Rack, and Honey, wrote a poetic essay on the subject of fear. It’s chock full of lines like this one about why she likes the word dread more than the word fear: “because fear, like the unconscious emotion which is one of its forms, has only the word ear inside of it, telling an animal to listen, while dread has the word read inside of it, telling us to read carefully and find the dead, who are also there.”
Vince Manapat’s interview with NYRB Classics editor Edwin Frank provides an interesting (if slightly erroneous) history of how the publisher got started. If you come away from the interview wondering what Mr. Frank recommends reading, then, ta-da! and look no further.
Does a writer need a devoted spouse to be prolific? At The Atlantic, Koa Beck examines the concept of having a do-it-all partner like Vera Nabokov and if this traditional gender role only harms female writers. Koa interviews various writers, from Emma Straub to Ayelet Waldman, on how their literary partnerships work. “I’d fantasized that being his Vera was a way for me to deal with being stuck as a stay-at-home mom—I’d subsume my own ambitions into something ‘greater!’ But that lasted about 48 hours,” Waldman said.