At the Guardian, Jami Attenberg, author of the recent memoir I Came All This Way to Meet You, reflects on how a key moment of rejection allowed her to carve out her own path as a writer. “I’m old enough to realise that there is one more important part to carving out your creative life: honouring your successes no matter the size,” Attenberg writes. “And honouring the bad moments too. Laying your burdens down. Building this writing life has always been about recognising what was holding me back so I could move on. One writer told me no. I honour his rejection. He said no, but I said yes.”
Jami Attenberg on Building a Writing Life
Critical Texts
Louis Menand writes about why the women’s movement needed The Feminine Mystique (despite its shortcomings). You could also read a review of Rebecca Jo Plant’s Mom, which looks to The Feminine Mystique to understand why our culture blames mothers.
Et Tu, Boris?
To be or not to be, that is the question about British politician Boris Johnson’s long-awaited biography of Shakespeare, Shakespeare: The Riddle of Genius. Initially slated for release this October, publisher Hodder & Stoughton has just announced that — amid reports of last-minute, desperate pleas for help from prominent Shakespeare scholars — the book has been put on ice indefinitely.
War Stories
Matthew Jakubowski writes an experimental review of the first English translation of Mercè Rodoreda’s final novel, War, So Much War. Pair with this excerpt from the novel, which appeared in the new issue of Harper’s.
●
●
●
●