At the Paris Review, Anuk Arudpragasam discusses his novel, A Passage North, and how he relates to the reading habits of his main character, Krishan. “I think a lot through texts,” he says. “I often refer to a line or a passage or a moment as a way to explain to somebody how I’m feeling or to refer to something I want to communicate. These moments expand my memory of life. They’re like faint memories that I can always use to compare to my present experience.”
Thinking Through Texts with Anuk Arudpragasam
Recommended Reading
Elissa Schappell’s quick-witted book criticism now has an online presence with the debut of her Vanity Fair column, Just My Type. First up: a look at new fantasy fiction and a consideration of genre-bending novels, with a winning recommendation of Ann Beattie’s Mrs. Nixon.
Two Davids and The Bone Clocks
Recommended listening: David Naimon interviews David Mitchell about “time, maps, cats,” and The Bone Clocks (which we reviewed here) for Between the Covers.
Rocker Lit
First there was Keith Richards’s autobiography, Life. Now he is writing a children’s book, complete with illustrations by his daughter. Gus & Me tells the story of Richards’s bond with his grandfather, which is slightly more normal than snorting his dad’s ashes.
Live Like Philip Roth, Literally
Tuesday New Release Day: Perotta, Johnson, Pelecanos, Torres, Fonts, Murray
New this week: The Leftovers by Tom Perotta, Train Dreams by Denis Johnson, The Cut by George Pelecanos, Justin Torres’s debut We the Animals, and Just My Type: A Book About Fonts. And new in paperback is Millions Hall of Famer Skippy Dies by Paul Murray.
E-book Release Delays
An article in the Wall Street Journal about the third publishing house — HarperCollins, who joined Simon & Schuster and Hachette — to delay e-book publication of new (hardcover) titles. The debate over timing and pricing of new-release e-books (@$9.99) continues.
Why Art Matters
At the Guardian, Alain de Botton, author of the forthcoming Religion for Atheists, considers whether “museums of art are our new churches” and says “modern museums of art fail to tell people directly why art matters.”