At the Paris Review, Anuk Arudpragasam discusses his novel, A Passage North, and how he relates to the reading habits of his main character, Krishan. “I think a lot through texts,” he says. “I often refer to a line or a passage or a moment as a way to explain to somebody how I’m feeling or to refer to something I want to communicate. These moments expand my memory of life. They’re like faint memories that I can always use to compare to my present experience.”
Thinking Through Texts with Anuk Arudpragasam
Summer Comics Recommendations
July is the month of revolutions and upheavals, as Tom Nissley has asserted, so maybe you’ll want to change gears from reading literature and literary non-fiction to instead investigate some of the summer’s best comics. On this journey, Kevin Nguyen will be your guide.
Frank Ocean’s Fiction
A while back, Frank Ocean alluded to the possibility of one day writing a novel. Asked by Guardian interviewer Rebecca Nicholson about his immediate plans following the success of his last album, Channel Orange, the musician replied, “I might just write a novel next.” The response seemed unserious. But now, in Jeff Himmelman’s long profile of Ocean for The New York Times Magazine, it appears the idea may have a bit more traction. “It’s fiction,” says Ocean. “And it’s about brothers.”
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On Sexism in Literature
How do you feel about claims that men avoid reading women? Before you answer, consider this piece, which argues that sexism in the lit world is more complicated than it may appear. (For more, go check out our own piece on sexism on the internet, or else take a look at this Harvard Divinity School study on how sexism shapes responses to women’s writing.)
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An Objective Look at Seven M.F.A. Rejections
At McSweeney’s Internet Tendency, an objective look at seven M.F.A. program rejections compared to other historic rejections.
Neal Stephenson’s New Digital Novel
The New York Times reports on the launch of Neal Stephenson’s new serialized digital novel, The Mongoliad, complete with video, music, and user-profiles. (via AuthorScoop)
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The Gifts of Workshop
A translation guide to writing workshops that we’re definitely printing out and bringing along to our next one. “Sometimes when people say ‘show, don’t tell,’ what they mean is that they find the characters sympathetic, the story is moving forward, and they even like the conflict, but they just don’t like the way you wrote it. What they’d really like to do is steal the idea and write it themselves, because honestly, they would do a much better job.”
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