For NPR, Ocean Vuong recommends four books that reshape the immigrant narrative, including Last Words from Montmarte by Qiu Miaojin, a series of letters that explores culture, language, and gender. “I’m truly inspired by Qiu Miaojin,” Vuong writes. “She’s a Taiwanese immigrant to Paris — and we often don’t think of the immigrant having, or the immigrant story having a sex life, a love life, a life of depression and deep existential angst. And Miaojin really positions in immigrant narrative in an existential wonder. And I think this is one of the most powerful testaments of rewriting or repositioning what immigration is on a global scale. And it positions the immigrant in the trajectory of the artist, because I think immigration demands a great amount of innovation and creativity. Nobody really survives the process of immigrating to a new country — to America, no less, which is so rich and complex — without being creative.”
New this week: The Faraway Nearby by Rebecca Solnit, The Silver Star by Jeannette Walls, Crazy Rich Asians by Kevin Kwan, The Engagements by J. Courtney Sullivan, The Execution of Noa P. Singleton by Elizabeth Silver, Bobcat by Rebecca Lee, and a retelling of One Thousand and One Nights by Hanan al-Shaykh, with a foreword by Mary Gaitskill.
in the film version of Fahrenheit 451. In the New York Times this week the director Ramin Bahrani talks about his love of books, how he decided which books to turn in the film and why he wanted to bring this novel to the small screen in the first place. It will air on HBO next Saturday (May 19th).
Those following this weekend’s events in Tripoli will no doubt be interested in Banipal‘s issue dedicated to Libyan fiction. And, as Moammar Gaddafi‘s reign appears to be ending, the Guardian‘s evisceration of his short stories is worth a read. On NPR‘s site, Hisham Matar also explains the influence of Gaddafi’s rule on Libyan writing.